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In this Issue

Table of Contents

  1. Bringing Consciousness to Conscience: Field Notes on a Cinema of Commitment1
  2. John Gianvito
  3. pp. 3-14
  4. DOI: https://doi.org/10.1353/scr.2016.0017
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  1. The Fragile Present: Statues Also Die with Night and Fog
  2. Sam Di Iorio
  3. pp. 15-29
  4. DOI: https://doi.org/10.1353/scr.2016.0019
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  1. Quality Wars: The Groupe des Trente and the Renewal of the Short Subject in France, 1953–1963
  2. Steven Ungar
  3. pp. 30-43
  4. DOI: https://doi.org/10.1353/scr.2016.0021
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  1. Thinking Contemporary Political Cinema with Cantet
  2. Martin O’Shaughnessy
  3. pp. 44-56
  4. DOI: https://doi.org/10.1353/scr.2016.0012
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  1. Cinema on the Border: The Frontier in Three Recent French Language Films
  2. Dalton Krauss
  3. pp. 57-67
  4. DOI: https://doi.org/10.1353/scr.2016.0013
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  1. A “sort of psychodrama”: Cinema verité and France’s self-analysis1
  2. Ivone Margulies
  3. pp. 68-79
  4. DOI: https://doi.org/10.1353/scr.2016.0014
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  1. “Becoming a Song: Sound, Memory, and Cinema History in Michael Haneke’s Amour
  2. Lynn A. Higgins
  3. pp. 80-95
  4. DOI: https://doi.org/10.1353/scr.2016.0016
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  1. Algerian Chronicles by Albert Camus (review)
  2. Anne Quinney
  3. pp. 96-97
  4. DOI: https://doi.org/10.1353/scr.2016.0018
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  1. Introduction: Essays in Memory of Philip Watts
  2. Lynn A. Higgins
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/scr.2016.0015
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  1. Notes on Contributors
  2. pp. 98-99
  3. DOI: https://doi.org/10.1353/scr.2016.0020
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  1. Books Received
  2. p. 100
  3. DOI: https://doi.org/10.1353/scr.2016.0011
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