1. On Heroes and Hero Worship: Regimes of Emotional Investment in Mid-Victorian Popular Magazines
  2. Barbara Korte
  3. pp. 181-201
  4. DOI: 10.1353/vpr.2016.0012
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  1. Periodical Poetry, Editorial Policy, and W. E. Henley’s Scots and National Observer
  2. Linda K. Hughes
  3. pp. 202-227
  4. DOI: 10.1353/vpr.2016.0014
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  1. James Thomson’s The City of Dreadful Night and the Forms of Secularist Congregation
  2. Amy Kahrmann Huseby
  3. pp. 228-248
  4. DOI: 10.1353/vpr.2016.0016
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  1. Audience Participation: Advertisements, Readers, and Anglo-Indian Newspapers
  2. Priti Joshi
  3. pp. 249-277
  4. DOI: 10.1353/vpr.2016.0018
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  1. “Spinning the webs”: Education and Distance Learning through Charlotte Yonge’s Monthly Packet
  2. Susan Walton
  3. pp. 278-304
  4. DOI: 10.1353/vpr.2016.0019
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  1. Crossing the Final Frontier: Harriet Ward as Mid-Victorian War Correspondent
  2. Teja Varma Pusapati
  3. pp. 305-332
  4. DOI: 10.1353/vpr.2016.0020
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  1. “How little I cared for fame”: T. Sparrow and Women’s Investigative Journalism at the Fin de Siècle
  2. Laura Vorachek
  3. pp. 333-361
  4. DOI: 10.1353/vpr.2016.0021
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  1. Database Review: Crime, Punishment and Popular Culture, 1790–1920, by Gale Digital Collections
  2. Grace Beekman
  3. pp. 362-364
  4. DOI: 10.1353/vpr.2016.0013
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  1. Biographies
  2. pp. 365-366
  3. DOI: 10.1353/vpr.2016.0015
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  1. Endnotes
  2. pp. 367-369
  3. DOI: 10.1353/vpr.2016.0017
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