+ MUSE Alert

In this Issue

Table of Contents

  1. Towards a Radical World Literature: Experimental Writing in a Globalizing World
  2. Wendy Knepper, Sharae Deckard
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/ari.2016.0018
  5. restricted access
  1. Experimental Writing and Reading across Borders in Decolonizing Contexts
  2. Diana Brydon
  3. pp. 27-58
  4. DOI: https://doi.org/10.1353/ari.2016.0001
  5. restricted access
  1. “Surviving Globalization”: Experiment and World-Historical Imagination in Rana Dasgupta’s Solo
  2. Sharae Deckard
  3. pp. 59-91
  4. DOI: https://doi.org/10.1353/ari.2016.0004
  5. restricted access
  1. Toward a Theory of Experimental World Epic: David Mitchell’s Cloud Atlas
  2. Wendy Knepper
  3. pp. 93-126
  4. DOI: https://doi.org/10.1353/ari.2016.0008
  5. restricted access
  1. A Poetics of Place in the World-System: West Coast Modernism and the Integration of Vancouver into the Global Economy1
  2. Stephen Morton
  3. pp. 127-161
  4. DOI: https://doi.org/10.1353/ari.2016.0011
  5. restricted access
  1. Strange Correspondences: Late Capitalism and Late Style in the Work of Wilson Harris and John Berger
  2. Michael Niblett
  3. pp. 163-191
  4. DOI: https://doi.org/10.1353/ari.2016.0014
  5. restricted access
  1. At Home in Johannesburg?: Rethinking Cosmopolitanism through TJ/Double Negative, the Joint Project between David Goldblatt and Ivan Vladislavić
  2. James Graham
  3. pp. 193-222
  4. DOI: https://doi.org/10.1353/ari.2016.0017
  5. restricted access
  1. “I haven’t seen you since (a specific date, a time, the weather)”: Global Identity and the Reinscription of Subjectivity in Brian Castro’s Shanghai Dancing
  2. Alison Gibbons
  3. pp. 223-251
  4. DOI: https://doi.org/10.1353/ari.2016.0000
  5. restricted access
  1. Subaltern Experimental Writing: Dalit Literature in Dialogue with the World
  2. Nicole Thiara
  3. pp. 253-280
  4. DOI: https://doi.org/10.1353/ari.2016.0003
  5. restricted access
  1. Marking Locality: Inscribing Gendered Subjectivity through Kgebetli Moele’s Untitled
  2. Paige Sweet
  3. pp. 281-310
  4. DOI: https://doi.org/10.1353/ari.2016.0007
  5. restricted access
  1. Threnody Unthreaded: Iraq and its Aftermath in Richard House’s The Kills
  2. Bianca Leggett
  3. pp. 311-335
  4. DOI: https://doi.org/10.1353/ari.2016.0010
  5. restricted access
  1. Comics Online: Detention and White Space in “A Guard’s Story”
  2. Golnar Nabizadeh
  3. pp. 337-357
  4. DOI: https://doi.org/10.1353/ari.2016.0013
  5. restricted access
  1. The Programmatic Era: Creative Writing as Cultural Imperialism
  2. Harry Whitehead
  3. pp. 359-390
  4. DOI: https://doi.org/10.1353/ari.2016.0016
  5. restricted access
  1. Words from a Brick in the Wall (Or, What the Dialectical Poet Tries to Say but Fails to Say, and What He Might Whistle or Sing)
  2. Xiaolu Guo
  3. pp. 391-395
  4. DOI: https://doi.org/10.1353/ari.2016.0006
  5. restricted access
  1. Extravagant Postcolonialism: Modernism and Modernity in Anglophone Fiction 1958–1988 by Brian T. May, and: Prose of the World: Modernism and the Banality of Empire by Saikat Majumdar (review)
  2. Celiese Lypka
  3. pp. 397-399
  4. DOI: https://doi.org/10.1353/ari.2016.0019
  5. restricted access
  1. Drawing the Line: Toward an Aesthetics of Transitional Justice by Carrol Clarkson (review)
  2. Susan Spearey
  3. pp. 399-402
  4. DOI: https://doi.org/10.1353/ari.2016.0002
  5. restricted access
  1. The Literature of Northern Ireland: Spectral Borderlands by Maureen E. Ruprecht Fadem (review)
  2. Michele Holmgren
  3. pp. 402-404
  4. DOI: https://doi.org/10.1353/ari.2016.0005
  5. restricted access
  1. Rethinking the Romance Genre: Global Intimacies in Contemporary Literary and Visual Culture by Emily Davis (review)
  2. Michael Tavel Clarke
  3. pp. 405-407
  4. DOI: https://doi.org/10.1353/ari.2016.0009
  5. restricted access
  1. Erratum
  3. p. vii
  4. DOI: https://doi.org/10.1353/ari.2016.0015
  5. restricted access
  1. Notes on Contributors
  3. pp. 409-412
  4. DOI: https://doi.org/10.1353/ari.2016.0012
  5. restricted access