In this Issue

Table of Contents

Towards a Radical World Literature: Experimental Writing in a Globalizing World

Wendy Knepper, Sharae Deckard
pp. 1-25
DOI: https://doi.org/10.1353/ari.2016.0018
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Experimental Writing and Reading across Borders in Decolonizing Contexts

Diana Brydon
pp. 27-58
DOI: https://doi.org/10.1353/ari.2016.0001
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“Surviving Globalization”: Experiment and World-Historical Imagination in Rana Dasgupta’s Solo

Sharae Deckard
pp. 59-91
DOI: https://doi.org/10.1353/ari.2016.0004
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Toward a Theory of Experimental World Epic: David Mitchell’s Cloud Atlas

Wendy Knepper
pp. 93-126
DOI: https://doi.org/10.1353/ari.2016.0008
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A Poetics of Place in the World-System: West Coast Modernism and the Integration of Vancouver into the Global Economy1

Stephen Morton
pp. 127-161
DOI: https://doi.org/10.1353/ari.2016.0011
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Strange Correspondences: Late Capitalism and Late Style in the Work of Wilson Harris and John Berger

Michael Niblett
pp. 163-191
DOI: https://doi.org/10.1353/ari.2016.0014
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At Home in Johannesburg?: Rethinking Cosmopolitanism through TJ/Double Negative, the Joint Project between David Goldblatt and Ivan Vladislavić

James Graham
pp. 193-222
DOI: https://doi.org/10.1353/ari.2016.0017
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“I haven’t seen you since (a specific date, a time, the weather)”: Global Identity and the Reinscription of Subjectivity in Brian Castro’s Shanghai Dancing

Alison Gibbons
pp. 223-251
DOI: https://doi.org/10.1353/ari.2016.0000
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Subaltern Experimental Writing: Dalit Literature in Dialogue with the World

Nicole Thiara
pp. 253-280
DOI: https://doi.org/10.1353/ari.2016.0003
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Marking Locality: Inscribing Gendered Subjectivity through Kgebetli Moele’s Untitled

Paige Sweet
pp. 281-310
DOI: https://doi.org/10.1353/ari.2016.0007
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Threnody Unthreaded: Iraq and its Aftermath in Richard House’s The Kills

Bianca Leggett
pp. 311-335
DOI: https://doi.org/10.1353/ari.2016.0010
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Comics Online: Detention and White Space in “A Guard’s Story”

Golnar Nabizadeh
pp. 337-357
DOI: https://doi.org/10.1353/ari.2016.0013
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The Programmatic Era: Creative Writing as Cultural Imperialism

Harry Whitehead
pp. 359-390
DOI: https://doi.org/10.1353/ari.2016.0016
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Words from a Brick in the Wall (Or, What the Dialectical Poet Tries to Say but Fails to Say, and What He Might Whistle or Sing)

Xiaolu Guo
pp. 391-395
DOI: https://doi.org/10.1353/ari.2016.0006
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Extravagant Postcolonialism: Modernism and Modernity in Anglophone Fiction 1958–1988 by Brian T. May, and: Prose of the World: Modernism and the Banality of Empire by Saikat Majumdar (review)

Celiese Lypka
pp. 397-399
DOI: https://doi.org/10.1353/ari.2016.0019
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Drawing the Line: Toward an Aesthetics of Transitional Justice by Carrol Clarkson (review)

Susan Spearey
pp. 399-402
DOI: https://doi.org/10.1353/ari.2016.0002
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The Literature of Northern Ireland: Spectral Borderlands by Maureen E. Ruprecht Fadem (review)

Michele Holmgren
pp. 402-404
DOI: https://doi.org/10.1353/ari.2016.0005
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Rethinking the Romance Genre: Global Intimacies in Contemporary Literary and Visual Culture by Emily Davis (review)

Michael Tavel Clarke
pp. 405-407
DOI: https://doi.org/10.1353/ari.2016.0009
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Erratum

p. vii
DOI: https://doi.org/10.1353/ari.2016.0015
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Notes on Contributors

pp. 409-412
DOI: https://doi.org/10.1353/ari.2016.0012
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