1. Introduction: Experiential Scholarship/Learning
  2. Patricia Fumerton
  3. pp. 163-171
  4. DOI: 10.1353/hlq.2016.0012
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Texts and Contexts

  1. Mopsa’s Method: Truth Claims, Ballads, and Print
  2. Frances E. Dolan
  3. pp. 173-185
  4. DOI: 10.1353/hlq.2016.0014
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  1. Broadside Ballads and Occupational Identity in Early Modern England
  2. Mark Hailwood
  3. pp. 187-200
  4. DOI: 10.1353/hlq.2016.0016
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  1. Jockey and Jenny: English Broadside Ballads and the Invention of Scottishness
  2. Adam Fox
  3. pp. 201-220
  4. DOI: 10.1353/hlq.2016.0007
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Images and Interfaces

  1. Picturing Song across Species: Broadside Ballads in Image and Word
  2. Megan E. Palmer
  3. pp. 221-244
  4. DOI: 10.1353/hlq.2016.0009
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  1. A Woodcut and Its Wanderings in Seventeenth-Century England
  2. Christopher Marsh
  3. pp. 245-262
  4. DOI: 10.1353/hlq.2016.0010
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  1. Digital Analytical Bibliography: Ballad Sheet Forensics, Preservation, and the Digital Archive
  2. Carl G. Stahmer
  3. pp. 263-278
  4. DOI: 10.1353/hlq.2016.0011
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Song and Performance

  1. The Rich Merchant Man, or, What the Punishment of Greed Sounded Like in Early Modern English Ballads
  2. Una McIlvenna
  3. pp. 279-299
  4. DOI: 10.1353/hlq.2016.0013
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  1. “A Ballad Intituled a Pleasant Newe Jigge”: The Relationship between the Broadside Ballad and the Dramatic Jig
  2. Roger Clegg
  3. pp. 301-322
  4. DOI: 10.1353/hlq.2016.0015
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  1. Putting the “Ball” Back in Ballads
  2. Bruce R. Smith
  3. pp. 323-338
  4. DOI: 10.1353/hlq.2016.0017
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Epilogue

  1. Popularity, Performance, and Repetition
  2. Katherine Steele Brokaw
  3. pp. 339-342
  4. DOI: 10.1353/hlq.2016.0008
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