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In this Issue

Table of Contents

  1. Introduction: Experiential Scholarship/Learning
  2. Patricia Fumerton
  3. pp. 163-171
  4. DOI: https://doi.org/10.1353/hlq.2016.0012
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Texts and Contexts

  1. Mopsa’s Method: Truth Claims, Ballads, and Print
  2. Frances E. Dolan
  3. pp. 173-185
  4. DOI: https://doi.org/10.1353/hlq.2016.0014
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  1. Broadside Ballads and Occupational Identity in Early Modern England
  2. Mark Hailwood
  3. pp. 187-200
  4. DOI: https://doi.org/10.1353/hlq.2016.0016
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  1. Jockey and Jenny: English Broadside Ballads and the Invention of Scottishness
  2. Adam Fox
  3. pp. 201-220
  4. DOI: https://doi.org/10.1353/hlq.2016.0007
  5. restricted access

Images and Interfaces

  1. Picturing Song across Species: Broadside Ballads in Image and Word
  2. Megan E. Palmer
  3. pp. 221-244
  4. DOI: https://doi.org/10.1353/hlq.2016.0009
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  1. A Woodcut and Its Wanderings in Seventeenth-Century England
  2. Christopher Marsh
  3. pp. 245-262
  4. DOI: https://doi.org/10.1353/hlq.2016.0010
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  1. Digital Analytical Bibliography: Ballad Sheet Forensics, Preservation, and the Digital Archive
  2. Carl G. Stahmer
  3. pp. 263-278
  4. DOI: https://doi.org/10.1353/hlq.2016.0011
  5. restricted access

Song and Performance

  1. The Rich Merchant Man, or, What the Punishment of Greed Sounded Like in Early Modern English Ballads
  2. Una McIlvenna
  3. pp. 279-299
  4. DOI: https://doi.org/10.1353/hlq.2016.0013
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  1. “A Ballad Intituled a Pleasant Newe Jigge”: The Relationship between the Broadside Ballad and the Dramatic Jig
  2. Roger Clegg
  3. pp. 301-322
  4. DOI: https://doi.org/10.1353/hlq.2016.0015
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  1. Putting the “Ball” Back in Ballads
  2. Bruce R. Smith
  3. pp. 323-338
  4. DOI: https://doi.org/10.1353/hlq.2016.0017
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Epilogue

  1. Popularity, Performance, and Repetition
  2. Katherine Steele Brokaw
  3. pp. 339-342
  4. DOI: https://doi.org/10.1353/hlq.2016.0008
  5. restricted access