In this Issue
For seven decades, Theatre Journal's broad array of scholarly articles and reviews has earned it an international reputation as one of the most authoritative and useful publications of theatre studies available today. Drawing contributions from noted practitioners and scholars, Theatre Journal features social and historical studies, production reviews, and theoretical inquiries that analyze dramatic texts and production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).
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Johns Hopkins University Pressviewing issue
Volume 68, Number 2, May 2016Table of Contents
- Buenos Aires’s Independent Theatre Scene
- pp. 249-260
- DOI: 10.1353/tj.2016.0056
-
Absent by Tristan Sharps (review) - pp. 261-263
- DOI: 10.1353/tj.2016.0061
- Cloud Nine by Caryl Churchill (review)
- pp. 273-275
- DOI: 10.1353/tj.2016.0049
- Freedomland by Michael Gene Sullivan (review)
- pp. 275-277
- DOI: 10.1353/tj.2016.0054
- The Odyssey by Todd Almond (review)
- pp. 277-279
- DOI: 10.1353/tj.2016.0059
- Indecent by Paula Vogel (review)
- pp. 281-283
- DOI: 10.1353/tj.2016.0036
- Informed Consent by Deborah Zoe Laufer (review)
- pp. 283-285
- DOI: 10.1353/tj.2016.0042
- Othello by William Shakespeare (review)
- pp. 292-295
- DOI: 10.1353/tj.2016.0057
- Editorial Comment
- pp. vii-ix
- DOI: 10.1353/tj.2016.0063
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