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Table of Contents

  1. Medium: Essays from the English Institute
  2. Bill Brown, Bradin Cormack
  3. pp. 293-297
  4. DOI: https://doi.org/10.1353/elh.2016.0016
  5. restricted access
  1. Immersing the Network in Time: From the Where to the When of Print Reading
  2. Christina Lupton
  3. pp. 299-317
  4. DOI: https://doi.org/10.1353/elh.2016.0019
  5. restricted access
  1. Shakespeare Processing: Fragments from a History
  2. Jonathan Sterne
  3. pp. 319-344
  4. DOI: https://doi.org/10.1353/elh.2016.0022
  5. restricted access
  1. Theater After Film, or Dismediation
  2. Martin Harries
  3. pp. 345-361
  4. DOI: https://doi.org/10.1353/elh.2016.0024
  5. restricted access
  1. Big Data as Drama
  2. Wendy Hui Kyong Chun
  3. pp. 363-382
  4. DOI: https://doi.org/10.1353/elh.2016.0011
  5. restricted access
  1. Medium-Oriented Ontology
  2. Mark B. N. Hansen
  3. pp. 383-405
  4. DOI: https://doi.org/10.1353/elh.2016.0013
  5. restricted access
  1. The Brothers of Beowulf: Fraternal Tensions and the Reticent Style
  2. Michael R. Kightley
  3. pp. 407-429
  4. DOI: https://doi.org/10.1353/elh.2016.0015
  5. restricted access
  1. What Spenser Took From Chaucer: Worldly Vanity in The Ruines of Time and Troilus and Criseyde
  2. Katherine C. Little
  3. pp. 431-455
  4. DOI: https://doi.org/10.1353/elh.2016.0018
  5. restricted access
  1. Measure for Measure and the Problem of Style
  2. Matthew Hunter
  3. pp. 457-488
  4. DOI: https://doi.org/10.1353/elh.2016.0021
  5. restricted access
  1. Poetic Style and the Mind-Body Problem: Sound and Sense, Flesh and Spirit in the Work of John Wilmot, Second Earl of Rochester
  2. Katherine Mannheimer
  3. pp. 489-516
  4. DOI: https://doi.org/10.1353/elh.2016.0023
  5. restricted access
  1. Gulliver, Medium, Technique
  2. Paddy Bullard
  3. pp. 517-541
  4. DOI: https://doi.org/10.1353/elh.2016.0010
  5. restricted access
  1. The English Origins of American Upward Mobility; or, the Invention of Benjamin Franklin
  2. Edward Cahill
  3. pp. 543-571
  4. DOI: https://doi.org/10.1353/elh.2016.0012
  5. restricted access
  1. Coleridgean Kink: Christabel, Metrical Masochism, and Poetic Dissonance
  2. Samuel Rowe
  3. pp. 573-601
  4. DOI: https://doi.org/10.1353/elh.2016.0014
  5. restricted access
  1. Modernist Scansion: Robert Frost’s Loose Iambics
  2. Ben Glaser
  3. pp. 603-631
  4. DOI: https://doi.org/10.1353/elh.2016.0017
  5. restricted access
  1. How Poems Know What It’s Like to Die
  2. Michael W. Clune
  3. pp. 633-654
  4. DOI: https://doi.org/10.1353/elh.2016.0020
  5. restricted access