1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-3
  4. DOI: 10.1353/amu.2016.0011
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  1. On the Recent Diversification of Bāul-Fakir Musical Repertoire in West Bengal: Spiritual Music in a Crowded Marketplace
  2. Benjamin Krakauer
  3. pp. 4-47
  4. DOI: 10.1353/amu.2016.0013
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  1. The Rabbit Record Brand of Siam/Thailand 1925–1970: Assessing the Legacy of T. Ngekchuan
  2. James Mitchell
  3. pp. 48-83
  4. DOI: 10.1353/amu.2016.0015
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  1. Blended Modes of Music Learning: Shaping Intermusicality in Kathmandu
  2. Jaco van den Dool
  3. pp. 84-113
  4. DOI: 10.1353/amu.2016.0017
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  1. I Was Cool When My Country Wasn’t: “Mao” and “Deng” Making Transnational Music in the Golden Triangle
  2. Jane M. Ferguson
  3. pp. 114-137
  4. DOI: 10.1353/amu.2016.0018
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  1. From Nameless to Nomenclature: Creating Music Genre in Southern Vietnam
  2. Alexander M. Cannon
  3. pp. 138-171
  4. DOI: 10.1353/amu.2016.0009
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  1. Performing Arts in Postmodern Bali: Changing Interpretations, Founding Traditions ed. by Kendra Stepputat (review)
  2. Elizabeth Clendinning
  3. pp. 172-175
  4. DOI: 10.1353/amu.2016.0010
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  1. Kerala, the Cradle of Christianity in South Asia: The Cultural Interface of Religion and Music by Joseph J. Palackal (review)
  2. Rolf Groesbeck
  3. pp. 176-178
  4. DOI: 10.1353/amu.2016.0012
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  1. About the Contributors
  2. pp. 188-189
  3. DOI: 10.1353/amu.2016.0016
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