+ MUSE Alert

In this Issue

Table of Contents

  1. Cinco de Mayo
  2. Alicia Ostriker
  3. p. 210
  4. DOI: https://doi.org/10.1353/mar.2016.0046
  5. restricted access
  1. “The Lecture,” or How Poetry Can Save Your Life
  2. Hilene Flanzbaum
  3. pp. 211-217
  4. DOI: https://doi.org/10.1353/mar.2016.0050
  5. restricted access
  1. On Grief
  2. Naira Kuzmich
  3. pp. 218-225
  4. DOI: https://doi.org/10.1353/mar.2016.0054
  5. restricted access
  1. from Da morte. Odes mínimas
  2. Hilda Hilst, Laura Cesarco Eglin
  3. pp. 226-227
  4. DOI: https://doi.org/10.1353/mar.2016.0033
  5. restricted access
  1. from Adua
  2. Igiaba Scego, Frederika Randall
  3. pp. 228-234
  4. DOI: https://doi.org/10.1353/mar.2016.0037
  5. restricted access
  1. Bad Things
  2. Hayan Charara
  3. p. 235
  4. DOI: https://doi.org/10.1353/mar.2016.0040
  5. restricted access
  1. Amongst the Olive Groves of Mezra
  2. Kenan Orhan
  3. pp. 236-252
  4. DOI: https://doi.org/10.1353/mar.2016.0044
  5. restricted access
  1. The Janissary
  2. Aatif Rashid
  3. pp. 253-267
  4. DOI: https://doi.org/10.1353/mar.2016.0048
  5. restricted access
  1. The Light, the Bridge, and the Fish
  2. Kathleen M. Kelley
  3. p. 268
  4. DOI: https://doi.org/10.1353/mar.2016.0052
  5. restricted access
  1. Driftwood
  2. Elias Leake Quinn
  3. pp. 269-275
  4. DOI: https://doi.org/10.1353/mar.2016.0056
  5. restricted access
  1. One-Way Zebra
  2. Colin Fleming
  3. pp. 276-286
  4. DOI: https://doi.org/10.1353/mar.2016.0035
  5. restricted access
  1. What Size Is Yours
  2. Robert Dow
  3. pp. 287-288
  4. DOI: https://doi.org/10.1353/mar.2016.0039
  5. restricted access
  1. Paintings
  2. Allison Schulnik
  3. pp. 289-296
  4. DOI: https://doi.org/10.1353/mar.2016.0043
  5. restricted access
  1. On the Immortality of the Soul, and: War and Peace, and: The Flame of an Idea
  2. Jorge Yglesias, Peter Bush
  3. pp. 297-299
  4. DOI: https://doi.org/10.1353/mar.2016.0047
  5. restricted access
  1. Showing What Cannot Be Said: Total War and the International Project of Modernist War Writing [The First of Two Parts]
  2. Nil Santiáñez
  3. pp. 300-315
  4. DOI: https://doi.org/10.1353/mar.2016.0051
  5. restricted access
  1. foretell the silent ridge of the tongue
  2. Alessandra Lynch
  3. p. 316
  4. DOI: https://doi.org/10.1353/mar.2016.0055
  5. restricted access
  1. A Bit of a Thief
  2. Joel Fishbane
  3. pp. 317-333
  4. DOI: https://doi.org/10.1353/mar.2016.0034
  5. restricted access
  1. Dollmaker, Inventory, Child
  2. Erin Fortenberry
  3. pp. 334-342
  4. DOI: https://doi.org/10.1353/mar.2016.0038
  5. restricted access
  1. “You Two Are So Beautiful Together”
  2. Frances Park
  3. pp. 343-353
  4. DOI: https://doi.org/10.1353/mar.2016.0041
  5. restricted access
  1. A Kennedy in Each of Us
  2. Gary Margolis
  3. p. 354
  4. DOI: https://doi.org/10.1353/mar.2016.0045
  5. restricted access
  1. The Rodeo
  2. Genevieve Plunkett
  3. pp. 355-361
  4. DOI: https://doi.org/10.1353/mar.2016.0049
  5. restricted access
  1. from Leafmold
  2. F. Daniel Rzicznek
  3. p. 362
  4. DOI: https://doi.org/10.1353/mar.2016.0053
  5. restricted access
  1. The Commune
  2. Brion Dulac
  3. pp. 363-365
  4. DOI: https://doi.org/10.1353/mar.2016.0032
  5. restricted access
  1. Introduction
  2. Jim Hicks
  3. pp. 208-209
  4. DOI: https://doi.org/10.1353/mar.2016.0042
  5. restricted access
  1. Notes on Contributors
  3. pp. 366-368
  4. DOI: https://doi.org/10.1353/mar.2016.0036
  5. restricted access