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Table of Contents

  1. Editor’s Note
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/ner.2016.0054
  5. restricted access
  1. Out of Doors
  2. Martha Collins
  3. pp. 8-15
  4. DOI: https://doi.org/10.1353/ner.2016.0032
  5. restricted access
  1. After, Before
  2. Kate Petersen
  3. pp. 16-26
  4. DOI: https://doi.org/10.1353/ner.2016.0036
  5. restricted access
  1. After a Long Illness
  2. Brian Teare
  3. pp. 27-30
  4. DOI: https://doi.org/10.1353/ner.2016.0040
  5. restricted access
  1. Tell Me How It Hurts: An Intersection of Poetry and Pain in the Iliad
  2. Mary Ebbott
  3. pp. 31-46
  4. DOI: https://doi.org/10.1353/ner.2016.0044
  5. restricted access
  1. Good Hair
  2. Safiya Sinclair
  3. pp. 47-48
  4. DOI: https://doi.org/10.1353/ner.2016.0048
  5. restricted access
  1. The Pretenders
  2. Leslie Bazzett
  3. pp. 49-61
  4. DOI: https://doi.org/10.1353/ner.2016.0052
  5. restricted access
  1. Table Bay
  2. Ben Jackson
  3. pp. 62-63
  4. DOI: https://doi.org/10.1353/ner.2016.0057
  5. restricted access
  1. They Will Not Eat the Bird of Paradise
  2. Bruce Snider
  3. pp. 64-65
  4. DOI: https://doi.org/10.1353/ner.2016.0034
  5. restricted access
  1. Rise
  2. Becky Hagenston
  3. pp. 66-71
  4. DOI: https://doi.org/10.1353/ner.2016.0038
  5. restricted access
  1. My Wilderness
  2. Maxine Scates
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/ner.2016.0042
  5. restricted access
  1. Aeneid Book 7
  2. Virgil, Ian Ganassi
  3. pp. 74-88
  4. DOI: https://doi.org/10.1353/ner.2016.0046
  5. restricted access
  1. Writing in the Age of the Ultra-Unreal
  2. Ning Ken
  3. pp. 89-96
  4. DOI: https://doi.org/10.1353/ner.2016.0050
  5. restricted access
  1. Exhausted, Renegade Elephant
  2. Derek Mong
  3. pp. 97-98
  4. DOI: https://doi.org/10.1353/ner.2016.0055
  5. restricted access
  1. Lionel
  2. Tyler Sage
  3. pp. 99-112
  4. DOI: https://doi.org/10.1353/ner.2016.0033
  5. restricted access
  1. Margaret-Orthodox, and: Quakers
  2. Ryan Teitman
  3. pp. 113-114
  4. DOI: https://doi.org/10.1353/ner.2016.0037
  5. restricted access
  1. Chinese Opera
  2. Anne Raeff
  3. pp. 115-122
  4. DOI: https://doi.org/10.1353/ner.2016.0041
  5. restricted access
  1. Animal, and: Automaton, and: Bruce’s Faith
  2. Mark Neely
  3. pp. 123-125
  4. DOI: https://doi.org/10.1353/ner.2016.0045
  5. restricted access
  1. Right-Hearted
  2. Ben Eisman
  3. pp. 126-136
  4. DOI: https://doi.org/10.1353/ner.2016.0049
  5. restricted access
  1. The Life of a Playwright: An Interview with Steve Carter
  2. Nathaniel G. Nesmith
  3. pp. 137-150
  4. DOI: https://doi.org/10.1353/ner.2016.0053
  5. restricted access
  1. Still Life with Young Black Woman’s Face Etched into a School Desk
  2. Cortney Lamar Charleston
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/ner.2016.0031
  5. restricted access
  1. A Partial Inventory of Things That Didn’t Work
  2. Eric Severn
  3. pp. 153-165
  4. DOI: https://doi.org/10.1353/ner.2016.0035
  5. restricted access
  1. On Progress
  2. Wayne Miller
  3. pp. 166-169
  4. DOI: https://doi.org/10.1353/ner.2016.0039
  5. restricted access
  1. Deceit only was forbidden: A Brief Literary Biography of Richard Henry Wilde
  2. Rob Hardy
  3. pp. 170-185
  4. DOI: https://doi.org/10.1353/ner.2016.0043
  5. restricted access
  1. La Monstrua Vestida
  2. Kara van de Graaf
  3. pp. 186-187
  4. DOI: https://doi.org/10.1353/ner.2016.0047
  5. restricted access
  1. Two Prefaces to Endymion
  2. John Keats
  3. pp. 188-192
  4. DOI: https://doi.org/10.1353/ner.2016.0051
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  1. Contributors’ Notes
  3. pp. 193-197
  4. DOI: https://doi.org/10.1353/ner.2016.0056
  5. restricted access