In this Issue
Shakespeare Bulletin is a peer-reviewed quarterly journal which publishes articles at the cutting edge of Shakespearean and early modern performance studies and theatre history. Since its early days as the publication of the New York Shakespeare Society in 1980 and its incorporation of the Shakespeare on Film Newsletter in 1992, Shakespeare Bulletin has grown into the leading journal of early modern performance studies. It is a distinguishing feature of this journal that it welcomes scholarship on the full range of plays not only by Shakespeare but also by other early modern dramatists from the mid-sixteenth century to the Interregnum. The journal also publishes theatre, film and book reviews, providing a record of performance and scholarship in a variety of media throughout the world. The journal is edited by an international team of scholars and is based in the Centre for Early Modern Studies at the University of Exeter (UK).
published byJohns Hopkins University Press
viewing issueVolume 34, Number 2, Summer 2016
Table of Contents
- Pericles presented by Shakespeare’s Globe (review)
- pp. 328-331
- DOI: 10.1353/shb.2016.0025
- Shakespeare and the English-Speaking Cinema by Russell Jackson, and: Screening Early Modern Drama: Beyond Shakespeare by Pascale Aebischer, and: Avant-Garde Hamlet: Text, Stage, Screen by R. S. White, and: Shakespeare and YouTube: New Media Forms of the Bard by Stephen O’Neill, and: Shakespeare and the Digital World: Redefining Scholarship and Practice ed. by Christie Carson and Peter Kirwan (review)
- pp. 347-351
- DOI: 10.1353/shb.2016.0022
Copyright © The Johns Hopkins University Press.