1. A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592–1596
  2. Elizabeth E. Tavares
  3. pp. 193-217
  4. DOI: 10.1353/shb.2016.0021
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  1. “Men and Women o’the Time”: Allegory in Three 2015 Productions
  2. Alan C. Dessen
  3. pp. 219-232
  4. DOI: 10.1353/shb.2016.0024
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  1. Blushing on Cue: The Forensics of the Blush in Early Modern Drama
  2. Derek Dunne
  3. pp. 233-252
  4. DOI: 10.1353/shb.2016.0026
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  1. “Remember me:” The Ghost and its spectators in Hamlet
  2. Sarah Outterson-Murphy
  3. pp. 253-275
  4. DOI: 10.1353/shb.2016.0028
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  1. Concluding Othello: Contrasting Endings by Shakespeare and Fred Wilson
  2. Peter Erickson
  3. pp. 277-293
  4. DOI: 10.1353/shb.2016.0030
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  1. “The Joys and Accessibility of Shakespeare’s Theatre”: Notes on the American Shakespeare Center’s Summer/Fall 2015 Season
  2. Niamh J. O’Leary
  3. pp. 295-306
  4. DOI: 10.1353/shb.2016.0018
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  1. 2015 Oregon Shakespeare Festival
  2. Michael W. Shurgot
  3. pp. 307-321
  4. DOI: 10.1353/shb.2016.0020
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  1. The Bloody Banquet presented by Brave Spirits Theatre (review)
  2. Arlynda Boyer
  3. pp. 323-327
  4. DOI: 10.1353/shb.2016.0023
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  1. Pericles presented by Shakespeare’s Globe (review)
  2. Michael J. Collins
  3. pp. 328-331
  4. DOI: 10.1353/shb.2016.0025
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  1. The Tempest presented by Great Lakes Theater (review)
  2. Elizabeth Zeman Kolkovich
  3. pp. 332-335
  4. DOI: 10.1353/shb.2016.0027
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  1. The Merry Wives of Windsor presented by the Shakespeare Theatre of New Jersey (review)
  2. Barbara Ann Lukacs
  3. pp. 335-338
  4. DOI: 10.1353/shb.2016.0029
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  1. Macbeth presented by The Young Vic, Birmingham Repertory Theatre (review)
  2. Eoin Price
  3. pp. 338-342
  4. DOI: 10.1353/shb.2016.0017
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