In this Issue

Table of Contents

“Now Keep Out of the Way, Whitelaw”: Self-Expression, Agency, and Directorial Control in W. B. Yeats’s and Samuel Beckett’s Theatre

Hannah Simpson
pp. 399-418
DOI: https://doi.org/10.1353/cdr.2015.0037
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“Weeping Mothers Shall Applaud”: Sarah Yates as Margaret of Anjou on the London Stage, 1797

Sarah Burdett
pp. 419-444
DOI: https://doi.org/10.1353/cdr.2015.0038
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“Where’s Tarleton?”: The Contentious Chaucerian Afterlife of Elizabeth’s Most Famous Clown

J. P. Conlan
pp. 445-473
DOI: https://doi.org/10.1353/cdr.2015.0039
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Deafness and Dominance: Analyzing The Oregon Shakespeare Festival’s Production of To Kill a Mockingbird

Maureen McDonnell
pp. 475-499
DOI: https://doi.org/10.1353/cdr.2015.0040
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Introduction

Elizabeth Bradburn, Lofton L. Durham
pp. 393-397
DOI: https://doi.org/10.1353/cdr.2015.0042
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Contributors

p. 501
DOI: https://doi.org/10.1353/cdr.2015.0041
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