1. “Weeping Mothers Shall Applaud”: Sarah Yates as Margaret of Anjou on the London Stage, 1797
  2. Sarah Burdett
  3. pp. 419-444
  4. DOI: 10.1353/cdr.2015.0038
  5. restricted access View | Download |
  1. “Where’s Tarleton?”: The Contentious Chaucerian Afterlife of Elizabeth’s Most Famous Clown
  2. J. P. Conlan
  3. pp. 445-473
  4. DOI: 10.1353/cdr.2015.0039
  5. restricted access View | Download |
  1. Deafness and Dominance: Analyzing The Oregon Shakespeare Festival’s Production of To Kill a Mockingbird
  2. Maureen McDonnell
  3. pp. 475-499
  4. DOI: 10.1353/cdr.2015.0040
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  1. Introduction
  2. Elizabeth Bradburn, Lofton L. Durham
  3. pp. 393-397
  4. DOI: 10.1353/cdr.2015.0042
  5. restricted access View | Download |
  1. Contributors
  2. p. 501
  3. DOI: 10.1353/cdr.2015.0041
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