1. Artist-Scientists Are Designers
  2. Jack Ox
  3. p. 190
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  1. Scientific Delirium Madness 2.0
  2. Margot H. Knight
  3. p. 193
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  1. On Caring
  2. Allison Cobb
  3. p. 194
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  1. Body(e)scape
  2. Luca Forcucci
  3. p. 195
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  1. A Grammar for Human Agency
  2. Deborah Forster
  3. p. 196
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  1. Interspersed
  2. Christine Lee
  3. p. 197
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  1. Djerassic Park
  2. Rachel Mayeri
  3. p. 198
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  1. Nanosequences
  2. Guillermo Muñoz-Matutano
  3. p. 199
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  1. Painting Reimagined
  2. Kate Nichols
  3. p. 200
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  1. N-Body Choreographies and Beyond
  2. Karl Schaffer
  3. p. 201
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  1. Your Kingdom
  2. Eleni Sikelianos
  3. p. 202
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  1. Motion Tracking of a Fish as a Novel Way to Control Electronic Music Performance
  2. Shaltiel Eloul, Gil Zissu, Yehiel H. Amo, Nori Jacoby
  3. pp. 203-210
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  1. Robocygne: Dancing Life into an Animal-Human-Machine
  2. Åsa Unander-Scharin, Carl Unander-Scharin
  3. pp. 212-219
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  1. Interdisciplinary Teaching of Visual Perception through Art and Science
  2. Leslie Welch, Carl Fasano
  3. pp. 220-242
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  1. A Variational Art Algorithm for Image Generation
  2. Yoon Young Kim, Jae Chun Ryu, Eunil Kim, Hyoungkee Kim, Byungseong Ahn
  3. pp. 226-243
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  1. The Howard Wise Gallery Show Computer-Generated Pictures (1965): A 50th-Anniversary Memoir
  2. A. Michael Noll
  3. pp. 232-239
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  1. Color Plate A: Painting Reimagined
  2. p. 241
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  1. EvoMUSART 2014: Third International Conference on Evolutionary and Biologically Inspired Music, Sound, Art and Design
  2. Juan Romero, James McDermott
  3. p. 245
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  1. Spatiotemporal Ideation and Generation with Interactive Evolutionary Design
  2. Jonathan Eisenmann, Matthew Lewis, Rick Parent
  3. pp. 246-250
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  1. Beyond Interactive Evolution: Expressing Intentions through Fitness Functions
  2. Penousal Machado, Tiago Martins, Hugo Amaro, Pedro H. Abreu
  3. pp. 251-256
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  1. Codeform: A Balancing Act between Variation and Utility in Evolutionary Art
  2. Jon McCormack
  3. pp. 257-261
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  1. Trust Me, I’m an Artist
  2. Bobbie Farsides, Anna Dumitriu, Annick Bureaud
  3. pp. 262-263
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  1. Flesh-eaters: Notes toward a Zombie Methodology
  2. Martin O’Brien
  3. pp. 264-265
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  1. On Curating Pain: The Sick Body in Martin O’Brien’s Taste of Flesh/Bite Me Im Yours
  2. Jareh Das
  3. pp. 266-267
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  1. The Conundrum of Plant Life
  2. Špela Petrič
  3. pp. 268-269
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  1. Flexographic Artists’ Books
  2. Ilgım Veryeri Alaca
  3. pp. 270-271
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  1. Exploring Art+Science Projects
  2. Ariel Kupfer
  3. pp. 272-273
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  1. Morphometrics Show Sam Francis’s Painted Forms Are Statistically Similar to Cells in Biological Tissues
  2. Fayha Lakhani, Hanh Dang, Peter Selz, Tamira Elul
  3. pp. 274-275
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  1. Green: The History of a Color by Michel Pastoureau (review)
  2. Michael Punt, Hannah Drayson, Dene Grigar, Jane Hutchinson, Giovanna Costantini
  3. pp. 277-278
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  1. Atlas of Knowledge: Anyone Can Map by Katy Börner (review)
  2. Brian Reffin Smith
  3. pp. 278-279
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  1. Barry Le Va: The Aesthetic Aftermath by Michael Maizels (review)
  2. Jan Baetens
  3. pp. 279-280
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  1. Strange Tools: Art and Human Nature by Alva Noë (review)
  2. Amy Ione
  3. pp. 280-283
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  1. What is Landscape? by John R. Stilgoes (review)
  2. Giovanna Costantini
  3. pp. 284-285
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  1. Image Science: Iconology, Visual Culture, and Media Aesthetics by W.J.T. Mitchell (review)
  2. Ana Peraica
  3. p. 285
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  1. Other Planes of There: Selected Writings by Renée Green (review)
  2. Edith Doove
  3. pp. 286-288
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  1. MIT Press Journals Podcasts
  2. p. 288
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  1. Leonardo Network News
  2. pp. 289-290
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  1. #OSJUBA: Open Urbanism in Post-Conflict Transformation
  2. Stephen Kovats
  3. pp. 291-297
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