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In this Issue

Table of Contents

In Translation

  1. Selections from The Fight for National Cinema, by Halit Refiğ
  2. Melis Behlil, Esin Paça Cengiz
  3. pp. 1-16
  4. DOI: https://doi.org/10.1353/cj.2016.0037
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Articles

  1. Kubrick’s Double: Lolita’s Hidden Heart of Jewishness
  2. Nathan Abrams
  3. pp. 17-39
  4. DOI: https://doi.org/10.1353/cj.2016.0021
  5. restricted access
  1. PG-13, Ratings Creep, and the Legacy of Screen Violence: The MPAA Responds to the FTC’s “Marketing Violent Entertainment to Children” (2000–2009)
  2. Kia Afra
  3. pp. 40-64
  4. DOI: https://doi.org/10.1353/cj.2016.0024
  5. restricted access
  1. The Dialectics of Cruelty: Rethinking Artaudian Cinema
  2. Angelos Koutsourakis
  3. pp. 65-89
  4. DOI: https://doi.org/10.1353/cj.2016.0027
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  1. Salisbury Stakes: Twentieth Century-Fox, Segregated Cinemas, and the Making of an International Crisis in Colonial Zimbabwe, 1959–1961
  2. Ross Melnick
  3. pp. 90-116
  4. DOI: https://doi.org/10.1353/cj.2016.0030
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In Focus: Returning to the Red Room—Twin Peaks at Twenty-Five

  1. Foreword
  2. David Lavery
  3. pp. 117-118
  4. DOI: https://doi.org/10.1353/cj.2016.0033
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  1. Editors’ Introduction
  2. Ross P. Garner, Karra Shimabukuro
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/cj.2016.0036
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  1. The Mystery of the Woods: Twin Peaks and the Folkloric Forest
  2. Karra Shimabukuro
  3. pp. 121-125
  4. DOI: https://doi.org/10.1353/cj.2016.0023
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  1. Just Plain Odd: Some Thoughts on Performance Styles in Twin Peaks
  2. Stephen Lacey
  3. pp. 126-131
  4. DOI: https://doi.org/10.1353/cj.2016.0026
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  1. All Laura Palmer’s Children: Twin Peaks and Gendering the Discourse of Influence
  2. Dana Och
  3. pp. 131-136
  4. DOI: https://doi.org/10.1353/cj.2016.0032
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  1. “The Series That Changed Television”?: Twin Peaks, “Classic” Status, and Temporal Capital
  2. Ross P. Garner
  3. pp. 137-142
  4. DOI: https://doi.org/10.1353/cj.2016.0020
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  1. Ontological Security, Authorship, and Resurrection: Exploring Twin Peaks’ Social Media Afterlife
  2. Rebecca Williams
  3. pp. 143-147
  4. DOI: https://doi.org/10.1353/cj.2016.0029
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  1. Contributors
  3. pp. 148-149
  4. DOI: https://doi.org/10.1353/cj.2016.0035
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Book Reviews: Contemporary TV Studies and David Lynch

  1. Remake Television: Reboot, Re-Use, Recycle ed. by Carlen Lavigne (review)
  2. Casey J. McCormick
  3. pp. 150-153
  4. DOI: https://doi.org/10.1353/cj.2016.0019
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  1. Television Brandcasting: The Return of the Content Promotion Hybrid by Jennifer Gillan (review)
  2. Amanda Ann Klein
  3. pp. 153-158
  4. DOI: https://doi.org/10.1353/cj.2016.0022
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  1. Complex TV: The Poetics of Contemporary Television Storytelling by Jason Mittell (review)
  2. Sarah Kozloff
  3. pp. 159-164
  4. DOI: https://doi.org/10.1353/cj.2016.0034
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  1. David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire by Martha P. Nochimson (review)
  2. Justus Nieland
  3. pp. 165-171
  4. DOI: https://doi.org/10.1353/cj.2016.0025
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  1. Post-Object Fandom: Television, Identity and Self-Narrative by Rebecca Williams (review)
  2. Nicolle Lamerichs
  3. pp. 171-175
  4. DOI: https://doi.org/10.1353/cj.2016.0031
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  1. Contributors
  3. p. 176
  4. DOI: https://doi.org/10.1353/cj.2016.0028
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