1. “How you call to me, call to me”: Hardy’s Self-remembering Syntax
  2. A. J. Nickerson
  3. pp. 1-17
  4. DOI: 10.1353/vp.2016.0001
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  1. A Matter of Life and Death: The Auditor-Function of the Dramatic Monologue
  2. Helen Luu
  3. pp. 19-38
  4. DOI: 10.1353/vp.2016.0002
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  1. Historical Imagination in Elizabeth Barrett Browning’s Casa Guidi Windows
  2. Mollie Barnes
  3. pp. 39-65
  4. DOI: 10.1353/vp.2016.0003
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  1. “This Close Room”: Elizabeth Barrett’s Proximal Poetics in Sonnets from the Portuguese
  2. Andrea Gazzaniga
  3. pp. 67-92
  4. DOI: 10.1353/vp.2016.0004
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  1. Hopkins’s Heart
  2. Andrew Hodgson
  3. pp. 93-117
  4. DOI: 10.1353/vp.2016.0005
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  1. Contributors
  2. p. 119
  3. DOI: 10.1353/vp.2016.0000
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