1. Collecting, Collections, and Cultural Heritage in the Cameroon Grassfields
  2. Mark Dike DeLancey
  3. pp. 1-4
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  1. A Lending Museum: The Movement of Objects and the Impact of the Museum Space in the Grassfields (Cameroon)
  2. Erica P. Jones
  3. pp. 6-19
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  1. Collecting Practices in Bandjoun, Cameroon: Thinking about Collecting as a Research Paradigm
  2. Ivan Bargna
  3. pp. 20-37
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  1. Masks on the Move: Defying Genres, Styles, and Traditions in the Cameroonian Grassfields
  2. Silvia Forni
  3. pp. 38-53
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  1. Selling Authenticity in the Bamum Kingdom in 1929–1930
  2. Jonathan Fine
  3. pp. 54-67
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  1. Reconsidering Patrimonialization in the Bamun Kingdom: Heritage, Image, and Politics from 1906 to the Present
  2. Alexandra Galitzine-Loumpet
  3. pp. 68-81
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  1. a/wake in the water: Meditations On Disaster (review)
  2. Michelle Moore Apotsos
  3. pp. 82-84
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  1. Auto-Graphics: Works by Victor Ekpuk, and: Ukara: Ritual Cloth of the Ekpe Secret Society (review)
  2. Philip M. Peek
  3. pp. 84-86
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  1. Kabas and Couture: Contemporary Ghanaian Fashion (review)
  2. MacKenzie Moon Ryan
  3. pp. 86-89
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  1. Mud Masons of Mali (review)
  2. Robert T. Soppelsa
  3. pp. 90-91
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  1. Shangaa: Art of Tanzania ed. by Gary Van Wyk (review)
  2. Kevin Tervala
  3. pp. 91-92
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  1. Yoruba Art and Language: Seeking the African in African Art by Rowland Abiodun (review)
  2. Sylvester Okwunodu Ogbechie
  3. pp. 93-94
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  1. African Modernism: The Architecture of Independence: Ghana, Senegal, Côte d’Ivoire, Kenya, Zambia ed. by Manuel Herz et al. (review)
  2. Mark Duerksen
  3. pp. 94-95
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