1. Editor’s Note: Functional Fixedness
  2. Phong Nguyen
  3. DOI: 10.1353/plc.2016.0139
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  1. Hydrophobia: Fear of Water, and: Aviophobia: Fear of Flying
  2. Cortney Lamar Charleston
  3. pp. 1-2
  4. DOI: 10.1353/plc.2016.0154
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  1. Persephone
  2. Zachary Mason
  3. pp. 3-5
  4. DOI: 10.1353/plc.2016.0169
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  1. Amends, and: Everything I’ve Ever Given Up
  2. Kaveh Akbar
  3. pp. 6-7
  4. DOI: 10.1353/plc.2016.0184
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  1. Hard-Wired
  2. Jenny Xie
  3. p. 8
  4. DOI: 10.1353/plc.2016.0105
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  1. Mountain Song
  2. Alexander Weinstein
  3. pp. 9-13
  4. DOI: 10.1353/plc.2016.0120
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  1. Folding Range (Rubeus)
  2. John A. Nieves
  3. p. 14
  4. DOI: 10.1353/plc.2016.0134
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  1. Book of the Robin in the Bird
  2. Felicia Zamora
  3. p. 15
  4. DOI: 10.1353/plc.2016.0149
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  1. Ghost Clothes
  2. Laura Read
  3. p. 16
  4. DOI: 10.1353/plc.2016.0164
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  1. Daughters
  2. Megan Peak
  3. p. 17
  4. DOI: 10.1353/plc.2016.0179
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  1. Egg Tooth
  2. Jill Osier
  3. p. 18
  4. DOI: 10.1353/plc.2016.0099
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  1. Things You Can’t Tell
  2. Jameelah Lang
  3. pp. 19-24
  4. DOI: 10.1353/plc.2016.0114
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  1. Whatever
  2. Mark Irwin
  3. p. 25
  4. DOI: 10.1353/plc.2016.0128
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  1. Nesting
  2. Emily Ellen Jessen
  3. p. 26
  4. DOI: 10.1353/plc.2016.0143
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  1. Harvest Picture
  2. Josh Kalscheur
  3. pp. 27-28
  4. DOI: 10.1353/plc.2016.0158
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  1. Lost River
  2. Beckie Flannagan
  3. p. 29
  4. DOI: 10.1353/plc.2016.0173
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  1. The CommonWealth, Cash and Carry
  2. Nancy Chen Long
  3. p. 30
  4. DOI: 10.1353/plc.2016.0188
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  1. Notes from a Good Little Sister
  2. Lizzi Wolf
  3. pp. 31-32
  4. DOI: 10.1353/plc.2016.0108
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  1. Amateur Hour (What Do Sad Songs Remind You Of?)
  2. Charlie Clark
  3. p. 33
  4. DOI: 10.1353/plc.2016.0123
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  1. The Ghost Writer
  2. Christopher Brean Murray
  3. pp. 34-35
  4. DOI: 10.1353/plc.2016.0137
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  1. Tooth
  2. Bruce Bond
  3. pp. 36-37
  4. DOI: 10.1353/plc.2016.0152
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  1. Transfusion
  2. Shara Lessley
  3. p. 38
  4. DOI: 10.1353/plc.2016.0167
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  1. The Tear of Kumamoto
  2. Kiik Araki-Kawaguchi
  3. pp. 39-41
  4. DOI: 10.1353/plc.2016.0182
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  1. Love Poem: Centaur, and: Love Poem: Mermaid
  2. Donika Ross Kelly
  3. pp. 42-43
  4. DOI: 10.1353/plc.2016.0102
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  1. Tingo* (For Divorce), and: The Back Roads
  2. Jennifer Givhan
  3. pp. 44-45
  4. DOI: 10.1353/plc.2016.0117
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  1. The Balloon and the Helicopter
  2. Jose Hernandez Diaz
  3. p. 46
  4. DOI: 10.1353/plc.2016.0131
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  1. Waiting Round
  2. Lucy Biederman
  3. pp. 47-53
  4. DOI: 10.1353/plc.2016.0146
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  1. Overheard Hunger
  2. Heather Lang
  3. pp. 54-55
  4. DOI: 10.1353/plc.2016.0161
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  1. New Translations, and: December 9, 2005, and: January 18, 2006, and: November 15, 2006
  2. EJ Koh
  3. pp. 56-62
  4. DOI: 10.1353/plc.2016.0176
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  1. An Afternoon Walk in Late October 1864
  2. Lauren Kay Halloran
  3. pp. 66-68
  4. DOI: 10.1353/plc.2016.0111
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  1. Hey, Haole
  2. Matt Gallagher
  3. pp. 69-75
  4. DOI: 10.1353/plc.2016.0125
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  1. Duty Rack
  2. Jerri Bell
  3. pp. 76-78
  4. DOI: 10.1353/plc.2016.0140
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  1. Disambiguation
  2. Brent Glays
  3. pp. 79-86
  4. DOI: 10.1353/plc.2016.0155
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  1. Pecka’s Barber Shop
  2. Hugh Martin
  3. pp. 87-90
  4. DOI: 10.1353/plc.2016.0170
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  1. When Kings Go off to War
  2. Benjamin Hertwig
  3. pp. 91-97
  4. DOI: 10.1353/plc.2016.0185
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  1. Waist Deep at Hapuna
  2. Jesse Goolsby
  3. pp. 98-99
  4. DOI: 10.1353/plc.2016.0103
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  1. Kuwaiting
  2. David Abrams
  3. pp. 100-109
  4. DOI: 10.1353/plc.2016.0118
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  1. The Complete Poem
  2. Terence Winch
  3. p. 110
  4. DOI: 10.1353/plc.2016.0132
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  1. The Drought
  2. Jacques Rancourt
  3. p. 111
  4. DOI: 10.1353/plc.2016.0147
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  1. Diagnostics
  2. Joelle Biele
  3. pp. 112-113
  4. DOI: 10.1353/plc.2016.0162
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  1. Another Wayne Gretzky Behind the Net
  2. Michael Pontacoloni
  3. p. 114
  4. DOI: 10.1353/plc.2016.0177
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  1. The Names of Things, and: While I Work, I Think Things, and: The Iron Plow Is No Good
  2. Luz Pichel, Neil Anderson
  3. pp. 118-120
  4. DOI: 10.1353/plc.2016.0126
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  1. Pleroma, and: Not That I/Be Hunter, and: State of Siege, and: A Glow, and: Nucleus
  2. Chus Pato, Erín Moure
  3. pp. 122-127
  4. DOI: 10.1353/plc.2016.0156
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  1. Love*Poem, and: Saturn, and: Mars, and: The Cherry Tree
  2. María do Cebreiro, Neil Anderson
  3. pp. 134-139
  4. DOI: 10.1353/plc.2016.0121
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  1. Epistle
  2. Trevor Ketner
  3. p. 140
  4. DOI: 10.1353/plc.2016.0135
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  1. Who Put the Bad Mouth on Me?
  2. Gentris L. Jointe
  3. p. 141
  4. DOI: 10.1353/plc.2016.0150
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  1. Boys and Bridges
  2. sam sax
  3. pp. 142-144
  4. DOI: 10.1353/plc.2016.0165
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  1. Eclipse
  2. Janis Hubschman
  3. pp. 145-151
  4. DOI: 10.1353/plc.2016.0180
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  1. Ocean, and: Interrogative
  2. Chris Haven
  3. pp. 152-154
  4. DOI: 10.1353/plc.2016.0100
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  1. Hope
  2. Kate Partridge
  3. p. 155
  4. DOI: 10.1353/plc.2016.0115
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  1. Introducing Anzhelina Polonskaya
  2. Andrew Wachtel
  3. p. 156
  4. DOI: 10.1353/plc.2016.0129
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  1. Object Elegies: A Sequence
  2. Nicole Cooley
  3. pp. 162-163
  4. DOI: 10.1353/plc.2016.0159
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  1. Smugmush in the Art Bar
  2. Mark Halliday
  3. pp. 164-170
  4. DOI: 10.1353/plc.2016.0174
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  1. Wishbone Drying
  2. Amy Marengo
  3. p. 171
  4. DOI: 10.1353/plc.2016.0189
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  1. Bridge
  2. Hadara Bar-Nadav
  3. p. 172
  4. DOI: 10.1353/plc.2016.0109
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  1. Introduction
  2. Seth Brady Tucker
  3. pp. 64-65
  4. DOI: 10.1353/plc.2016.0191
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  1. Introduction
  2. Kathryn Nuernberger, Rebeccah Ferbezar, Julia Landrum
  3. p. 116
  4. DOI: 10.1353/plc.2016.0097
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  1. Introduction to Luz Pichel
  2. Neil Anderson
  3. p. 117
  4. DOI: 10.1353/plc.2016.0112
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  1. Introduction to Chus Pato
  2. Erín Moure
  3. p. 121
  4. DOI: 10.1353/plc.2016.0141
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  1. Introduction to Yolanda Castaño
  2. Lawrence Schimel
  3. p. 128
  4. DOI: 10.1353/plc.2016.0171
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  1. Introduction to María do Cebreiro
  2. Neil Anderson
  3. p. 133
  4. DOI: 10.1353/plc.2016.0106
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