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In this Issue

Table of Contents

  1. The Earliest Source of Notre-Dame Polyphony?: A New Conductus Fragment from the Early Thirteenth Century
  2. Gregorio Bevilacqua
  3. pp. 1-41
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  1. Changing Attitudes Towards Classical Mythology and their Impact on Notions of the Powers of Music in Early Modern England
  2. Katherine Butler
  3. pp. 42-60
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  1. 'The Deeps have Music Soft and Low': Sounding the Ocean in Elgar's Sea Pictures
  2. Karen Leistra-Jones
  3. pp. 61-99
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  1. ‘An Ireland Built Anew’: Bax’s Tintagel and the Easter Rising
  2. Peter Atkinson
  3. pp. 100-135
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  1. In Search of Opera, Again
  2. Flora Willson
  3. pp. 136-147
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  1. The Singing of the Strasbourg Protestants, 1523–1541 by Daniel Trocmé-Latter (review)
  2. Elisabeth Giselbrecht
  3. pp. 148-149
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  1. With Passionate Voice: Re-Creative Singing in Sixteenth-Century England and Italy by Robert Toft (review)
  2. Martha Elliott
  3. pp. 150-151
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  1. Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi by Paul Schleuse (review)
  2. Rebecca Cypess
  3. pp. 151-153
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  1. Eroticism in Early Modern Music ed. by Bonnie J. Blackburn, Laurie Stras (review)
  2. Amanda Eubanks Winkler
  3. pp. 153-155
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  1. Damnable Practices: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads by Sarah F. Williams (review)
  2. Amanda Eubanks Winkler
  3. pp. 155-157
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  1. Queen Anne: Patroness of Arts by James Anderson Winn (review)
  2. Andrew R. Walkling
  3. pp. 157-161
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  1. Bohemian Baroque: Czech Musical Culture and Style, 1600–1750 by Robert G. Rawson (review)
  2. Estelle Joubert
  3. pp. 161-163
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  1. Generalbasspraxis 1600–1800 by Siegbert Rampe (review)
  2. David Schulenberg
  3. pp. 163-165
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  1. The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music by Wye Jamison (review)
  2. Keith Chapin
  3. pp. 165-167
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  1. Berlioz on Music: Selected Criticism 1824–1837 ed. by Katherine Kolb (review)
  2. Julian Rushton
  3. pp. 167-169
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  1. Brahms in the Home and the Concert Hall: Between Private and Public Performance ed. by Katy Hamilton, Natasha Loges, and: Brahms among Friends: Listening, Performance, and the Rhetoric of Allusion by Paul Berry (review)
  2. Nicole Grimes
  3. pp. 169-173
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  1. Not Russian Enough? Nationalism and Cosmopolitanism in Nineteenth-Century Russian Opera by Rutger Helmers (review)
  2. Nathan Seinen
  3. pp. 173-176
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  1. Pro Mundo—Pro Domo: The Writings of Alban Berg ed. by Bryan R. Simms (review)
  2. Nick Chadwick
  3. pp. 176-178
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  1. Jaroslav Vogel 1894–1970: Interpret hudební ho prostoru by Lenka Černíková (review)
  2. John Tyrrell
  3. pp. 178-179
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  1. Alois Hába (1893–1973): Mezi tradicí a inovací by Vlasta Reitterová, Lubomír Spurný (review)
  2. John Tyrrell
  3. pp. 179-181
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  1. English Cathedral Music and Liturgy in the Twentieth Century by Martin Thomas (review)
  2. Jonathan Clinch
  3. pp. 181-182
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  1. Traditional Music and Irish Society: Historical Perspectives by Martin Dowling (review)
  2. Harry White
  3. pp. 182-185
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  1. The Oxford Handbook of Film Music Studies ed. by David Neumeyer (review)
  2. Ben Winters
  3. pp. 185-188
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  1. Borrowed Forms: The Music and Ethics of Transnational Fiction by Kathryn Lachman (review)
  2. Cormac Newark
  3. pp. 188-190
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  1. The Musical Novel: Imitation of Musical Structure, Performance and Reception in Contemporary Fiction by Emily Petermann (review)
  2. Christin Hoene
  3. pp. 190-191
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  1. Being Musically Attuned: The Act of Listening to Music by Erik Wallrup (review)
  2. Daniel Grimley
  3. pp. 191-193
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  1. Conducting for a New Era by Edwin Roxburgh (review)
  2. Mark Gotham
  3. pp. 194-195
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  1. Recipients of ‘Music & Letters’ Awards
  3. p. 196
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  1. ‘Music & Letters’ Awards
  3. p. 199
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  1. Authors of Articles in This Issue
  3. p. 199
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  1. Books Received
  3. pp. 200-203
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