In this Issue

Table of Contents

The Earliest Source of Notre-Dame Polyphony?: A New Conductus Fragment from the Early Thirteenth Century

Gregorio Bevilacqua
pp. 1-41
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Changing Attitudes Towards Classical Mythology and their Impact on Notions of the Powers of Music in Early Modern England

Katherine Butler
pp. 42-60
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'The Deeps have Music Soft and Low': Sounding the Ocean in Elgar's Sea Pictures

Karen Leistra-Jones
pp. 61-99
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‘An Ireland Built Anew’: Bax’s Tintagel and the Easter Rising

Peter Atkinson
pp. 100-135
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In Search of Opera, Again

Flora Willson
pp. 136-147
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The Singing of the Strasbourg Protestants, 1523–1541 by Daniel Trocmé-Latter (review)

Elisabeth Giselbrecht
pp. 148-149
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With Passionate Voice: Re-Creative Singing in Sixteenth-Century England and Italy by Robert Toft (review)

Martha Elliott
pp. 150-151
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Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi by Paul Schleuse (review)

Rebecca Cypess
pp. 151-153
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Eroticism in Early Modern Music ed. by Bonnie J. Blackburn, Laurie Stras (review)

Amanda Eubanks Winkler
pp. 153-155
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Damnable Practices: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads by Sarah F. Williams (review)

Amanda Eubanks Winkler
pp. 155-157
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Queen Anne: Patroness of Arts by James Anderson Winn (review)

Andrew R. Walkling
pp. 157-161
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Bohemian Baroque: Czech Musical Culture and Style, 1600–1750 by Robert G. Rawson (review)

Estelle Joubert
pp. 161-163
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Generalbasspraxis 1600–1800 by Siegbert Rampe (review)

David Schulenberg
pp. 163-165
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The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music by Wye Jamison (review)

Keith Chapin
pp. 165-167
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Berlioz on Music: Selected Criticism 1824–1837 ed. by Katherine Kolb (review)

Julian Rushton
pp. 167-169
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Brahms in the Home and the Concert Hall: Between Private and Public Performance ed. by Katy Hamilton, Natasha Loges, and: Brahms among Friends: Listening, Performance, and the Rhetoric of Allusion by Paul Berry (review)

Nicole Grimes
pp. 169-173
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Not Russian Enough? Nationalism and Cosmopolitanism in Nineteenth-Century Russian Opera by Rutger Helmers (review)

Nathan Seinen
pp. 173-176
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Pro Mundo—Pro Domo: The Writings of Alban Berg ed. by Bryan R. Simms (review)

Nick Chadwick
pp. 176-178
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Jaroslav Vogel 1894–1970: Interpret hudební ho prostoru by Lenka Černíková (review)

John Tyrrell
pp. 178-179
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Alois Hába (1893–1973): Mezi tradicí a inovací by Vlasta Reitterová, Lubomír Spurný (review)

John Tyrrell
pp. 179-181
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English Cathedral Music and Liturgy in the Twentieth Century by Martin Thomas (review)

Jonathan Clinch
pp. 181-182
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Traditional Music and Irish Society: Historical Perspectives by Martin Dowling (review)

Harry White
pp. 182-185
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The Oxford Handbook of Film Music Studies ed. by David Neumeyer (review)

Ben Winters
pp. 185-188
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Borrowed Forms: The Music and Ethics of Transnational Fiction by Kathryn Lachman (review)

Cormac Newark
pp. 188-190
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The Musical Novel: Imitation of Musical Structure, Performance and Reception in Contemporary Fiction by Emily Petermann (review)

Christin Hoene
pp. 190-191
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Being Musically Attuned: The Act of Listening to Music by Erik Wallrup (review)

Daniel Grimley
pp. 191-193
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Conducting for a New Era by Edwin Roxburgh (review)

Mark Gotham
pp. 194-195
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Recipients of ‘Music & Letters’ Awards

p. 196
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‘Music & Letters’ Awards

p. 199
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Authors of Articles in This Issue

p. 199
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Books Received

pp. 200-203
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