1. Editor’s Note: Spring 2016
  2. Rebecca Rovit
  3. DOI: 10.1353/dtc.2016.0008
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  1. Missing the Drama: Staging Communities without Conflict
  2. Sharon Mazer
  3. pp. 7-20
  4. DOI: 10.1353/dtc.2016.0011
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  1. Sound and Subjectivity in the “Technosublime”: Autobiographer and Ring
  2. Jane Turner
  3. pp. 21-37
  4. DOI: 10.1353/dtc.2016.0014
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  1. “Knowledge and taste go together”: Postdramatic Theatre, Écriture Féminine, and Feminist Politics
  2. Cara Berger
  3. pp. 39-60
  4. DOI: 10.1353/dtc.2016.0017
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  1. Absent Mother/Present Mothe: Wertenbaker’s Credible Witness and Kushner’s Homebody/Kabul
  2. Sara Freeman
  3. pp. 61-77
  4. DOI: 10.1353/dtc.2016.0002
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  1. Planes of Immanence: Deleuzian Assemblage as a Mode of Thought in the Theatre of Ricardo Monti
  2. Milton Loayza
  3. pp. 79-99
  4. DOI: 10.1353/dtc.2016.0005
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  1. Staging Global Warming, the Genre-Bending Hyperobject
  2. Catherine Diamond
  3. pp. 101-123
  4. DOI: 10.1353/dtc.2016.0007
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  1. Eugene O’Neill: The Contemporary Reviews ed. by Jackson R. Bryer and Robert M. Dowling (review)
  2. Jeff Kennedy
  3. pp. 129-131
  4. DOI: 10.1353/dtc.2016.0013
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  1. Manifesto Now! Instructions for Performance, Philosophy, Politics ed. by Laura Cull and Will Daddario (review)
  2. Matthew Moore
  3. pp. 132-134
  4. DOI: 10.1353/dtc.2016.0016
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  1. How Theatre Means by Ric Knowles (review)
  2. Kate Nygren
  3. pp. 134-136
  4. DOI: 10.1353/dtc.2016.0001
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  1. Ensemble Theatre-Making: A Practical Guide by Rose Burnett Bonczek and David Storck (review)
  2. Scott Proudfit
  3. pp. 136-138
  4. DOI: 10.1353/dtc.2016.0004
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  1. Lives in Play: Autobiography and Biography on the Feminist Stage by Ryan Claycomb (review)
  2. Jayetta Slawson
  3. pp. 138-140
  4. DOI: 10.1353/dtc.2016.0006
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  1. Fragile Magic: A Guidebook For Theatre Respondents by Ronald A. Willis (review)
  2. Aoise Stratford
  3. pp. 140-142
  4. DOI: 10.1353/dtc.2016.0009
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  1. Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre by Janet Clare (review)
  2. Elizabeth E. Tavares
  3. pp. 143-145
  4. DOI: 10.1353/dtc.2016.0012
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  1. Coloring Whiteness: Acts of Critique in Black Performance by Faedra Chatard Carpenter (review)
  2. Isaiah Matthew Wooden
  3. pp. 145-147
  4. DOI: 10.1353/dtc.2016.0015
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  1. Animal Acts: Performing Species Today ed. by Una Chaudhuri and Holly Hughes (review)
  2. Catherine Young
  3. pp. 147-149
  4. DOI: 10.1353/dtc.2016.0000
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  1. Books Received
  2. pp. 150-157
  3. DOI: 10.1353/dtc.2016.0003
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