1. First Word: Welcome to the African Arts Editorial Consortium
  2. Leslie Ellen Jones
  3. pp. 1-2
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  1. Frederick Grant, Ghanaian Photographer
  2. Paul Jenkins
  3. p. 4
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  1. Leaving Ruins: Explorations of Present Pasts by Sammy Baloji, Freddy Tsimba, and Steve Bandoma
  2. Bogumil Jewsiewicki, Allen F. Roberts French by
  3. pp. 6-25
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  1. From Photography to Church Painting: Iconographic Narratives at the Court of the Ethiopian King of Kings, Menelik II (1880s–1913)
  2. Estelle Sohier
  3. pp. 26-39
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  1. The Resonance of Osun across a Millennium of Lower Niger History
  2. Philip M. Peek, John Picton
  3. pp. 40-55
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  1. the statue of balot
  2. Sindani Kiangu
  3. p. 64
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  1. Nobody Can Harm You, Nobody Can Charm You: Efik Nnabo Society Masquerades of Calabar, Nigeria
  2. Onyile Bassey Onyile, Christopher Slogar, Onyile Bassey Onyile
  3. pp. 70-77
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  1. Alexander Barker’s Sapi-Portuguese Oliphant
  2. William Hart
  3. pp. 78-81
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  1. Dak’Art 11th Biennale of Contemporary African Art (review)
  2. Beth Buggenhagen
  3. pp. 82-85
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  1. Tapestries—A Collaboration with Stephens Tapestry Studio by William Kentridge (review)
  2. Joseph Leo Koerner
  3. pp. 85-88
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  1. Photographer to the Royal Court of Benin, Nigeria by Chief S.O. Alonge (review)
  2. Mark Auslander
  3. pp. 88-91
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  1. Aesthetic of the Cool: Afro-Atlantic Art and Music by Robert Farris Thompson (review)
  2. Tobias Wofford
  3. pp. 91-92
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  1. Kumasi Realism 1951–2007: An African Modernism by Atta Kwami (review)
  2. Kristen Windmuller-Luna
  3. pp. 92-93
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  1. Purchasing Culture: The Dissemination of Associations in the Cross River Region of Cameroon and Nigeria by Ute Röschenthaler (review)
  2. Imo Nse Imeh
  3. pp. 94-95
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  1. The African Photographic Archive: Research and Curatorial Strategies ed. by Christopher Morton, Darren Newbury (review)
  2. Jessica Williams
  3. pp. 95-96
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