1. Of Basterds and the Greatest Generation: The Limits of Sentimentalism and the Post-Classical War Film
  2. Charles Burnetts
  3. pp. 3-13
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  1. Production, Consumption, Power, and Humor in the Films of Marek Piwowski
  2. Ewa Mazierska
  3. pp. 14-28
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  1. “Look What You Did to Me!”: (Anti)Feminism and Extratextuality in the Remake of A Nightmare on Elm Street (2010)
  2. Kyle Christensen
  3. pp. 29-45
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  1. Giving Form to Finance Culture: Neoliberal Denizens in Wall Street (1987), Boiler Room (2000), and Margin Call (2011)
  2. Keith B. Wagner
  3. pp. 46-60
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  1. Saul Bass: Anatomy of Film Design by Jan-Christopher Horak (review)
  2. Deborah Allison
  3. pp. 61-62
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