1. Relics and Wonders
  2. Speer Morgan
  3. pp. 6-11
  4. DOI: 10.1353/mis.2016.0005
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  1. The Satans: for Fred Chappell
  2. R. T. Smith
  3. pp. 12-21
  4. DOI: 10.1353/mis.2016.0008
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  1. I, Spy
  2. E. J. Levy
  3. pp. 22-37
  4. DOI: 10.1353/mis.2016.0010
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  1. Portals: Cabinets of Curiosity, Reliquaries and Colonialism
  2. Genese Grill
  3. pp. 38-62
  4. DOI: 10.1353/mis.2016.0012
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  1. The Field
  2. Phillip B. Williams
  3. pp. 63-64
  4. DOI: 10.1353/mis.2016.0016
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  1. The Field, and: Tabula Rasa, and: In the Open Wound of the World, and: Blade Set to Tear Away the Good Flesh
  2. Phillip B. Williams
  3. pp. 63-74
  4. DOI: 10.1353/mis.2016.0000
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  1. Tabula Rasa: for Randi Gloss of GLOSSRAGS
  2. Phillip B. Williams
  3. pp. 65-66
  4. DOI: 10.1353/mis.2016.0019
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  1. In the Open Wound of the World
  2. Phillip B. Williams
  3. pp. 67-70
  4. DOI: 10.1353/mis.2016.0022
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  1. Blade Set to Tear Away the Good Flesh
  2. Phillip B. Williams
  3. pp. 71-74
  4. DOI: 10.1353/mis.2016.0025
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  1. Julien Levy: Making It Surreal
  2. Kristine Somerville
  3. pp. 75-84
  4. DOI: 10.1353/mis.2016.0002
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  1. Inheritance
  2. Allison Pitinii Davis
  3. p. 85
  4. DOI: 10.1353/mis.2016.0018
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  1. Arriving in Canada: Dubrova, Poland–Montréal, Canada
  2. Allison Pitinii Davis
  3. p. 86
  4. DOI: 10.1353/mis.2016.0021
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  1. Language Loosened Back
  2. Allison Pitinii Davis
  3. p. 87
  4. DOI: 10.1353/mis.2016.0024
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  1. The Motel Clerk Gets Bad Reception of Cleveland 100.7 FM
  2. Allison Pitinii Davis
  3. p. 88
  4. DOI: 10.1353/mis.2016.0027
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  1. Dead Language
  2. Allison Pitinii Davis
  3. p. 89
  4. DOI: 10.1353/mis.2016.0029
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  1. Song of the Dead Office
  2. Allison Pitinii Davis
  3. p. 90
  4. DOI: 10.1353/mis.2016.0014
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  1. Greetings from the End of the Line
  2. Allison Pitinii Davis
  3. p. 91
  4. DOI: 10.1353/mis.2016.0017
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  1. The Wall
  2. Emma Törzs
  3. pp. 92-112
  4. DOI: 10.1353/mis.2016.0007
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  1. My Junco
  2. Patricia Hooper
  3. p. 113
  4. DOI: 10.1353/mis.2016.0020
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  1. My Junco, and: In Tennessee, and: Lakewood Path, and: Autumn, and: Sandhill Cranes
  2. Patricia Hooper
  3. pp. 113-118
  4. DOI: 10.1353/mis.2016.0009
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  1. In Tennessee
  2. Patricia Hooper
  3. p. 114
  4. DOI: 10.1353/mis.2016.0023
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  1. Lakewood Path
  2. Patricia Hooper
  3. p. 115
  4. DOI: 10.1353/mis.2016.0026
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  1. Autumn
  2. Patricia Hooper
  3. p. 116
  4. DOI: 10.1353/mis.2016.0028
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  1. Sandhill Cranes
  2. Patricia Hooper
  3. pp. 117-118
  4. DOI: 10.1353/mis.2016.0030
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  1. Sold to Hollywood: Tennessee Williams & “The Gentleman Caller”
  2. Kristine Somerville, Speer Morgan
  3. pp. 119-124
  4. DOI: 10.1353/mis.2016.0011
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  1. Provisional Film Story Treatment of “The Gentleman Caller”
  2. Tennessee Williams
  3. pp. 125-141
  4. DOI: 10.1353/mis.2016.0015
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  1. Greek Tragedy
  2. David Zane Mairowitz
  3. pp. 142-155
  4. DOI: 10.1353/mis.2016.0013
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  1. The Polish Prince
  2. John W. Evans
  3. pp. 156-167
  4. DOI: 10.1353/mis.2016.0001
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  1. Sade
  2. Alistair Daniel
  3. pp. 168-185
  4. DOI: 10.1353/mis.2016.0003
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  1. My Pal Keats: Contemporary Poets at Play in the Anthology
  2. Stefanie Wortman
  3. pp. 186-195
  4. DOI: 10.1353/mis.2016.0006
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