1. Reconsidering “the American Style”: Black Performers and Black Music in Streetcar and Cat
  2. Paige A. McGinley
  3. pp. 1-15
  4. DOI: 10.1353/tj.2016.0030
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  1. “The Jew That Shakespeare Drew, at Least in Outlines”: Renderings of a Yiddish-Speaking Shylock in New York, circa 1900
  2. Elisabeth H. Kinsley
  3. pp. 17-36
  4. DOI: 10.1353/tj.2016.0002
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  1. Impersonating the Law: The Dramaturgy of Legal Action in the York Corpus Christi Pageant and John Bale’s Three Laws
  2. Rebecca Kastleman
  3. pp. 37-56
  4. DOI: 10.1353/tj.2016.0007
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  1. Container Aesthetics: The Infrastructural Politics of Shunt’s The Boy Who Climbed Out of His Face
  2. Michael Shane Boyle
  3. pp. 57-77
  4. DOI: 10.1353/tj.2016.0012
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  1. Three Readings of Reading, Pennsylvania: Approaching Lynn Nottage’s Sweat and Douglas Carter Beane’s Shows for Days
  2. Courtney Elkin Mohler, Christina McMahon, David Román
  3. pp. 79-94
  4. DOI: 10.1353/tj.2016.0017
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  1. Crossing by Matthew Aucoin (review)
  2. Aaron C. Thomas
  3. pp. 95-97
  4. DOI: 10.1353/tj.2016.0022
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  1. Oklahoma! by Richard Rodgers (review)
  2. Sean Bartley
  3. pp. 97-98
  4. DOI: 10.1353/tj.2016.0028
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  1. Edward Foote by Phillip DePoy (review)
  2. Chandra Owenby Hopkins
  3. pp. 98-100
  4. DOI: 10.1353/tj.2016.0000
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  1. Paradise Interrupted by Huang Ruo, and: Romeo and Juliet by William Shakespeare, and: Taylor Mac’s 24-Decade History of Popular Music: Songs of the American Right by Taylor Mac (review)
  2. Susan Kattwinkel
  3. pp. 100-103
  4. DOI: 10.1353/tj.2016.0005
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  1. Hand to God by Robert Askins (review)
  2. Kerri Ann Considine
  3. pp. 103-105
  4. DOI: 10.1353/tj.2016.0010
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  1. How to Hold your Breath by Zinnie Harris, and: Game by Mike Bartlett (review)
  2. William C. Boles
  3. pp. 105-108
  4. DOI: 10.1353/tj.2016.0015
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  1. American Moor by Keith Hamilton Cobb (review)
  2. Lindsey R. Swindall
  3. pp. 108-109
  4. DOI: 10.1353/tj.2016.0020
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  1. Born in the R.S.A. by Barney Simon (review)
  2. Paul Adolphsen
  3. pp. 109-111
  4. DOI: 10.1353/tj.2016.0026
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  1. Delusion of the Fury: A Ritual of Dream and Delusion by Harry Partch (review)
  2. Matthew Robert Moore
  3. pp. 112-114
  4. DOI: 10.1353/tj.2016.0032
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  1. The Glas Nocturne by Joseph Lavy (review)
  2. Jeanmarie Higgins
  3. pp. 114-116
  4. DOI: 10.1353/tj.2016.0003
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  1. My One Demand by Blast Theory (review)
  2. Lindsay Brandon Hunter
  3. pp. 116-117
  4. DOI: 10.1353/tj.2016.0008
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  1. 10 Out of 12 by Anne Washburn (review)
  2. Christin Essin
  3. pp. 117-119
  4. DOI: 10.1353/tj.2016.0013
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  1. War by Branden Jacobs-Jenkins (review)
  2. Joshua Williams
  3. pp. 119-121
  4. DOI: 10.1353/tj.2016.0018
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  1. Staging Race in Nineteenth-Century America
  2. Jason Shaffer
  3. pp. 123-131
  4. DOI: 10.1353/tj.2016.0023
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  1. Actresses, Gender, and the Eighteenth-Century Stage: Playing Women by Helen E. M. Brooks, and: Stage Mothers: Women, Work, and the Theater, 1660–1800 ed. by Laura Engel and Elaine M. McGirr (review)
  2. Lisa A. Freeman
  3. pp. 133-135
  4. DOI: 10.1353/tj.2016.0029
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  1. The Theatre of the Occult Revival: Alternative Spiritual Performance from 1875 to the Present by Edmund B. Lingan (review)
  2. Kurt Taroff
  3. pp. 135-136
  4. DOI: 10.1353/tj.2016.0001
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  1. Singing Simpkin and Other Bawdy Jigs: Musical Comedy on the Shakespearean Stage—Scripts, Music and Context by Roger Clegg and Lucie Skeaping (review)
  2. Robert M. Black
  3. pp. 136-137
  4. DOI: 10.1353/tj.2016.0006
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  1. Staging The Slums, Slumming The Stage: Class, Poverty, Ethnicity, and Sexuality in American Theatre, 1890–1916 by J. Chris Westgate (review)
  2. Sarah Crockarell
  3. pp. 137-139
  4. DOI: 10.1353/tj.2016.0011
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  1. Stephen Joseph: Theatre Pioneer and Provocateur by Paul Elsam (review)
  2. Stephanie Tucker
  3. pp. 139-140
  4. DOI: 10.1353/tj.2016.0016
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  1. Murder Most Queer: The Homicidal Homosexual in The American Theater by Jordan Schildcrout (review)
  2. John M. Clum
  3. pp. 140-141
  4. DOI: 10.1353/tj.2016.0021
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  1. History, Memory, Performance by David Dean, Yana Meerzon, and Kathryn Prince (review)
  2. Danny Devlin
  3. pp. 141-142
  4. DOI: 10.1353/tj.2016.0027
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  1. Gender, Culture and Performance: Marathi Theatre and Cinema before Independence by Meera Kosambi (review)
  2. Kedar A. Kulkarni
  3. pp. 143-144
  4. DOI: 10.1353/tj.2016.0033
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  1. Performing the Nation: Genocide, Justice, Reconciliation by Ananda Breed (review)
  2. Laura Edmondson
  3. pp. 144-145
  4. DOI: 10.1353/tj.2016.0004
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  1. Sites of Performance: Of Time and Memory by Clark Lunberry (review)
  2. Meghan O’Hara
  3. pp. 145-146
  4. DOI: 10.1353/tj.2016.0009
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  1. Itinerant Spectator/Itinerant Spectacle by P. A. Skantze (review)
  2. Ayanna Thompson
  3. pp. 146-148
  4. DOI: 10.1353/tj.2016.0014
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  1. The Exquisite Corpse of Asian America: Biopolitics, Biosociality, and Posthuman Ecologies by Rachel C. Lee (review)
  2. Emily Roxworthy
  3. pp. 148-149
  4. DOI: 10.1353/tj.2016.0019
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  1. Affective Performance and Cognitive Science: Body, Brain and Being ed. by Nicola Shaughnessy (review)
  2. Robert J. Vrtis
  3. pp. 149-150
  4. DOI: 10.1353/tj.2016.0025
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  1. Editorial Comment
  2. Jen Parker-Starbuck
  3. pp. vii-ix
  4. DOI: 10.1353/tj.2016.0024
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  1. Books Received
  3. pp. 151-164
  4. DOI: 10.1353/tj.2016.0031
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