Essays
Reconsidering “the American Style”: Black Performers and Black Music in Streetcar and Cat
pp. 1-15
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DOI: 10.1353/tj.2016.0030
“The Jew That Shakespeare Drew, at Least in Outlines”: Renderings of a Yiddish-Speaking Shylock in New York, circa 1900
pp. 17-36
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DOI: 10.1353/tj.2016.0002
Impersonating the Law: The Dramaturgy of Legal Action in the York Corpus Christi Pageant and John Bale’s Three Laws
pp. 37-56
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DOI: 10.1353/tj.2016.0007
Container Aesthetics: The Infrastructural Politics of Shunt’s The Boy Who Climbed Out of His Face
pp. 57-77
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DOI: 10.1353/tj.2016.0012
Performance Reviews
Review Essay
Three Readings of Reading, Pennsylvania: Approaching Lynn Nottage’s Sweat and Douglas Carter Beane’s Shows for Days
pp. 79-94
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DOI: 10.1353/tj.2016.0017
Paradise Interrupted by Huang Ruo, and: Romeo and Juliet by William Shakespeare, and: Taylor Mac’s 24-Decade History of Popular Music: Songs of the American Right by Taylor Mac (review)
pp. 100-103
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DOI: 10.1353/tj.2016.0005
How to Hold your Breath by Zinnie Harris, and: Game by Mike Bartlett (review)
pp. 105-108
|
DOI: 10.1353/tj.2016.0015
Delusion of the Fury: A Ritual of Dream and Delusion by Harry Partch (review)
pp. 112-114
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DOI: 10.1353/tj.2016.0032
Book Reviews
Review Essay
Actresses, Gender, and the Eighteenth-Century Stage: Playing Women by Helen E. M. Brooks, and: Stage Mothers: Women, Work, and the Theater, 1660–1800 ed. by Laura Engel and Elaine M. McGirr (review)
pp. 133-135
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DOI: 10.1353/tj.2016.0029
The Theatre of the Occult Revival: Alternative Spiritual Performance from 1875 to the Present by Edmund B. Lingan (review)
pp. 135-136
|
DOI: 10.1353/tj.2016.0001
Singing Simpkin and Other Bawdy Jigs: Musical Comedy on the Shakespearean Stage—Scripts, Music and Context by Roger Clegg and Lucie Skeaping (review)
pp. 136-137
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DOI: 10.1353/tj.2016.0006
Staging The Slums, Slumming The Stage: Class, Poverty, Ethnicity, and Sexuality in American Theatre, 1890–1916 by J. Chris Westgate (review)
pp. 137-139
|
DOI: 10.1353/tj.2016.0011
Stephen Joseph: Theatre Pioneer and Provocateur by Paul Elsam (review)
pp. 139-140
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DOI: 10.1353/tj.2016.0016
Murder Most Queer: The Homicidal Homosexual in The American Theater by Jordan Schildcrout (review)
pp. 140-141
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DOI: 10.1353/tj.2016.0021
History, Memory, Performance by David Dean, Yana Meerzon, and Kathryn Prince (review)
pp. 141-142
|
DOI: 10.1353/tj.2016.0027
Gender, Culture and Performance: Marathi Theatre and Cinema before Independence by Meera Kosambi (review)
pp. 143-144
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DOI: 10.1353/tj.2016.0033
Performing the Nation: Genocide, Justice, Reconciliation by Ananda Breed (review)
pp. 144-145
|
DOI: 10.1353/tj.2016.0004
Sites of Performance: Of Time and Memory by Clark Lunberry (review)
pp. 145-146
|
DOI: 10.1353/tj.2016.0009
Itinerant Spectator/Itinerant Spectacle by P. A. Skantze (review)
pp. 146-148
|
DOI: 10.1353/tj.2016.0014
The Exquisite Corpse of Asian America: Biopolitics, Biosociality, and Posthuman Ecologies by Rachel C. Lee (review)
pp. 148-149
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DOI: 10.1353/tj.2016.0019
Affective Performance and Cognitive Science: Body, Brain and Being ed. by Nicola Shaughnessy (review)
pp. 149-150
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DOI: 10.1353/tj.2016.0025
