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Table of Contents

  1. The Vibrating Wire: Nicholson Baker’s Vox and the Art of Analog
  2. Casey Michael Henry
  3. pp. 20-38
  4. DOI: https://doi.org/10.2979/jmodelite.39.2.02
  5. restricted access
  1. From Locus Classicus to Locus Lumpen: Junot Díaz’s “Aurora”
  2. Ana María Manzanas-Calvo
  3. pp. 39-52
  4. restricted access
  1. Saturn vs. Hermes: The Battle of the Hemispheres in Ian McEwan’s Saturday
  2. Randy Fertel
  3. pp. 53-71
  4. DOI: https://doi.org/10.2979/jmodelite.39.2.04
  5. restricted access
  1. Beyond the Literary Theme Park: J. M. Coetzee’s Late Style in The Childhood of Jesus
  2. Yoshiki Tajiri
  3. pp. 72-88
  4. DOI: https://doi.org/10.2979/jmodelite.39.2.05
  5. restricted access
  1. On Chesil Beach and Fordian Technique: Intertextuality, Intimacy, Ethical Reading
  2. Janine Utell
  3. pp. 89-104
  4. DOI: https://doi.org/10.2979/jmodelite.39.2.06
  5. restricted access
  1. Modernism, Media, and the Virtual
  2. Yair Solan
  3. pp. 105-110
  4. DOI: https://doi.org/10.2979/jmodelite.39.2.07
  5. restricted access
  1. Lynd Ward’s Modernist “Novels in Woodcuts”: Graphic Narratives Lost Between Art History and Literature
  2. David M. Ball
  3. pp. 126-143
  4. DOI: https://doi.org/10.2979/jmodelite.39.2.10
  5. restricted access
  1. The Integrity of the Work: Alan Moore, Modernism, and the Corporate Author
  2. Jackson Ayres
  3. pp. 144-166
  4. DOI: https://doi.org/10.2979/jmodelite.39.2.11
  5. restricted access
  1. The Superhero Historicized, Theorized, and Read
  2. Zachary King
  3. pp. 167-170
  4. DOI: https://doi.org/10.2979/jmodelite.39.2.12
  5. restricted access
  1. Pirating Modernism: Without Copyrights by Robert Spoo
  2. Igor Dombrovsky
  3. pp. 171-179
  4. DOI: https://doi.org/10.2979/jmodelite.39.2.13
  5. restricted access
  1. Introduction: Comics and Modernism
  2. Jackson Ayres
  3. pp. 111-114
  4. DOI: https://doi.org/10.2979/jmodelite.39.2.08
  5. restricted access