In this Issue

Table of Contents

Playing the Game of Literature: Ready Player One, the Ludic Novel, and the Geeky “Canon” of White Masculinity

Megan Amber Condis
pp. 1-19
DOI: https://doi.org/10.2979/jmodelite.39.2.01
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The Vibrating Wire: Nicholson Baker’s Vox and the Art of Analog

Casey Michael Henry
pp. 20-38
DOI: https://doi.org/10.2979/jmodelite.39.2.02
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From Locus Classicus to Locus Lumpen: Junot Díaz’s “Aurora”

Ana María Manzanas-Calvo
pp. 39-52
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Saturn vs. Hermes: The Battle of the Hemispheres in Ian McEwan’s Saturday

Randy Fertel
pp. 53-71
DOI: https://doi.org/10.2979/jmodelite.39.2.04
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Beyond the Literary Theme Park: J. M. Coetzee’s Late Style in The Childhood of Jesus

Yoshiki Tajiri
pp. 72-88
DOI: https://doi.org/10.2979/jmodelite.39.2.05
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On Chesil Beach and Fordian Technique: Intertextuality, Intimacy, Ethical Reading

Janine Utell
pp. 89-104
DOI: https://doi.org/10.2979/jmodelite.39.2.06
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Modernism, Media, and the Virtual

Yair Solan
pp. 105-110
DOI: https://doi.org/10.2979/jmodelite.39.2.07
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“But — what can anyone do about it?”: Modernism, Superheroes, and the Unfinished Business of the Common Good

Andrew Hoberek
pp. 115-125
DOI: https://doi.org/10.2979/jmodelite.39.2.09
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Lynd Ward’s Modernist “Novels in Woodcuts”: Graphic Narratives Lost Between Art History and Literature

David M. Ball
pp. 126-143
DOI: https://doi.org/10.2979/jmodelite.39.2.10
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The Integrity of the Work: Alan Moore, Modernism, and the Corporate Author

Jackson Ayres
pp. 144-166
DOI: https://doi.org/10.2979/jmodelite.39.2.11
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The Superhero Historicized, Theorized, and Read

Zachary King
pp. 167-170
DOI: https://doi.org/10.2979/jmodelite.39.2.12
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Pirating Modernism: Without Copyrights by Robert Spoo

Igor Dombrovsky
pp. 171-179
DOI: https://doi.org/10.2979/jmodelite.39.2.13
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Introduction: Comics and Modernism

Jackson Ayres
pp. 111-114
DOI: https://doi.org/10.2979/jmodelite.39.2.08
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