restricted access   Volume 49, Number 2, 2016

Table of Contents

Editorial

Data seams

p. 106

Leonardo Gallery

New Frontier at Sundance Film Festival: 10 Years of Changing Boundaries

pp. 109-112

Artists' Articles

The Seen and Unseen: Weaving as a Metaphor for Wave/Particle Duality

pp. 130-136

danceroom Spectroscopy: At the Frontiers of Physics, Performance, Interactive Art and Technology

pp. 138-147

General Article

Prosthetic Abilities: Conceptualizing Sound Machines for Amplified Elephants

pp. 148-155

General Note

Frampton’s Demon: A Mathematical Interpretation of Hollis Frampton’s Zorns Lemma

pp. 156-160

Statements

The Breathing Wall (BRALL)—Triggering Life (in)animate Surfaces

pp. 162-163

Sound Pointage: Creation of Music by Accumulating Minimal Elements of Digital Information

pp. 164-165

Special Section: Highlights from the IEEE VIS 2013 Arts Program (VISAP’13): Part 2

Highlights from the IEEE VIS 2013 Arts Program (VISAP’13): Part 2

p. 167

TYPE + CODE II: A Code-Driven Typography

p. 168

Salton Sea Revisited: An Aesthetic Study of Realtime Lapse

p. 169

Twitter Visualization Using Spirographs

pp. 170-171

Une Archeologie des Media, Exhibition, Seconde Nature (review)

pp. 173-174

Laruelle: Against the Digital by Alexander R. Galloway (review)

pp. 174-175

Reimagining Cinema: Film at Expo 67 ed. by Monika Kin Gagnon, Janine Marchessault (review)

pp. 175-176

The Social Machine: Designs for Living Online by Judith Donath (review)

pp. 176-177

The Container Principle: How a Box Changes the Way We Think by Alexander Klose (review)

pp. 177-178

Information Visualization: An Introduction, Third Edition by Robert Spence (review)

pp. 178-179

Textures of The Anthropocene: Grain Vapor Ray ed. by Katrin Klingan (review)

pp. 179-180

The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing by Paul Stephens (review)

pp. 180-181

Sara Angelucci: Provenance Unknown by Emelie Chhangur (review)

pp. 181-183

Sampling Media ed. by David Laderman, Laurel Westrup (review)

pp. 183-184

Topless Cellist: The Improbable Life of Charlotte Moorman by Joan Rothfuss (review)

pp. 184-185

Do Zombies Dream of Undead Sheep? A Neuroscientific View of the Zombie Brain by Timothy Verstynen, Bradley Voytek (review)

pp. 185-186

Leonardo Network News

Leonardo Network News

pp. 187-188