+ MUSE Alert

In this Issue

Table of Contents

  1. Data seams
  2. Angus Forbes
  3. p. 106
  4. restricted access
  1. New Frontier at Sundance Film Festival: 10 Years of Changing Boundaries
  2. Sheryl Mousley, Shari Frilot
  3. pp. 109-112
  4. restricted access
  1. The Seen and Unseen: Weaving as a Metaphor for Wave/Particle Duality
  2. Katie Glusica
  3. pp. 130-136
  4. restricted access
  1. danceroom Spectroscopy: At the Frontiers of Physics, Performance, Interactive Art and Technology
  2. Thomas Mitchell, Joseph Hyde, Philip Tew, David R. Glowacki
  3. pp. 138-147
  4. restricted access
  1. Prosthetic Abilities: Conceptualizing Sound Machines for Amplified Elephants
  2. James Hullick
  3. pp. 148-155
  4. restricted access
  1. Frampton’s Demon: A Mathematical Interpretation of Hollis Frampton’s Zorns Lemma
  2. Clint Enns
  3. pp. 156-160
  4. restricted access
  1. The Breathing Wall (BRALL)—Triggering Life (in)animate Surfaces
  2. Ece Polen Budak, Onur Zirhli, Adam A. Stokes, Ozge Akbulut
  3. pp. 162-163
  4. restricted access
  1. Sound Pointage: Creation of Music by Accumulating Minimal Elements of Digital Information
  2. Byungjoo Lee
  3. pp. 164-165
  4. restricted access
  1. Highlights from the IEEE VIS 2013 Arts Program (VISAP’13): Part 2
  2. Angus Forbes
  3. p. 167
  4. restricted access
  1. TYPE + CODE II: A Code-Driven Typography
  2. Yeohyun Ahn, Ge Jin
  3. p. 168
  4. restricted access
  1. Salton Sea Revisited: An Aesthetic Study of Realtime Lapse
  2. Xárene Eskandar
  3. p. 169
  4. restricted access
  1. Twitter Visualization Using Spirographs
  2. Ye Lin, Romain Vuillemot
  3. pp. 170-171
  4. restricted access
  1. Une Archeologie des Media, Exhibition, Seconde Nature (review)
  2. Roger F. Malina
  3. pp. 173-174
  4. restricted access
  1. Laruelle: Against the Digital by Alexander R. Galloway (review)
  2. Gabriela Galati
  3. pp. 174-175
  4. restricted access
  1. Reimagining Cinema: Film at Expo 67 ed. by Monika Kin Gagnon, Janine Marchessault (review)
  2. Jan Baetens
  3. pp. 175-176
  4. restricted access
  1. The Social Machine: Designs for Living Online by Judith Donath (review)
  2. Will Luers
  3. pp. 176-177
  4. restricted access
  1. The Container Principle: How a Box Changes the Way We Think by Alexander Klose (review)
  2. Jussi Parikka
  3. pp. 177-178
  4. restricted access
  1. Textures of The Anthropocene: Grain Vapor Ray ed. by Katrin Klingan (review)
  2. Johanna Ickert
  3. pp. 179-180
  4. restricted access
  1. The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing by Paul Stephens (review)
  2. Jan Baetens
  3. pp. 180-181
  4. restricted access
  1. Sara Angelucci: Provenance Unknown by Emelie Chhangur (review)
  2. Jane Hutchinson
  3. pp. 181-183
  4. restricted access
  1. Sampling Media ed. by David Laderman, Laurel Westrup (review)
  2. Mike Mosher
  3. pp. 183-184
  4. restricted access
  1. Topless Cellist: The Improbable Life of Charlotte Moorman by Joan Rothfuss (review)
  2. Elizabeth McCardel
  3. pp. 184-185
  4. restricted access
  1. Do Zombies Dream of Undead Sheep? A Neuroscientific View of the Zombie Brain by Timothy Verstynen, Bradley Voytek (review)
  2. Brian Reffin Smith
  3. pp. 185-186
  4. restricted access
  1. Leonardo Network News
  3. pp. 187-188
  4. restricted access
  1. Information Visualization: An Introduction, Third Edition by Robert Spence (review)
  2. Jack Ox
  3. pp. 178-179
  4. restricted access