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In this Issue

Table of Contents

  1. Genres in Jewish and Israeli Cinema
  2. Yaron Peleg, Yvonne Kozlovsky-Golan
  3. pp. 1-2
  4. DOI: https://doi.org/10.13110/jewifilmnewmedi.4.1.0001
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  1. A Body in Every Cellar: The “New Violence” Movement in Israeli Cinema
  2. Neta Alexander
  3. pp. 4-24
  4. DOI: https://doi.org/10.13110/jewifilmnewmedi.4.1.0004
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  1. Arnon Goldfinger’s The Flat: Holocaust Memory, Film Noir, and the Pain of Others
  2. Yael Munk
  3. pp. 25-42
  4. DOI: https://doi.org/10.13110/jewifilmnewmedi.4.1.0025
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  1. The “New Psyche”: A Model of Different Femininity in Film: Viviane Amsalem, Heroine of the Trilogy by Ronit and Shlomi Elkabetz
  2. Macabit Abramson
  3. pp. 43-67
  4. DOI: https://doi.org/10.13110/jewifilmnewmedi.4.1.0043
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  1. Frum with Benefits: Israeli Television, Globalization, and Srugim’s American Appeal
  2. Shayna Weiss
  3. pp. 68-89
  4. DOI: https://doi.org/10.13110/jewifilmnewmedi.4.1.0068
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  1. DIY: How to (Not So) Safely Dismantle the Bomb of On-Screen Jewish-Israeli Identity: The Synergies with Art and Television in the Representation of Jewish-Israeli Identity and What Can Be Learned from Them
  2. Lee Weinberg
  3. pp. 109-138
  4. DOI: https://doi.org/10.13110/jewifilmnewmedi.4.1.0109
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  1. Adapting Masculinities: Israeli and American Genres Redefining Mizrahi Masculinity in the TV Series Haborer
  2. Ronen Gil
  3. pp. 90-108
  4. DOI: https://doi.org/10.13110/jewifilmnewmedi.4.1.0090
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