In this Issue

Table of Contents

A Note from the Editor

Gwendolyn Alker
pp. ix-x
DOI: https://doi.org/10.1353/tt.2016.0004
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2015 ATHE Conference

ATHE Presidential Address

Patricia Ybarra
pp. 1-5
DOI: https://doi.org/10.1353/tt.2016.0009
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Introversion/Extroversion: The Work of Editing

Penny Farfan
pp. 7-8
DOI: https://doi.org/10.1353/tt.2016.0013
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Introduction to “Shedding Skins”: Marie Brassard’s Keynote Performance/Address at the 2015 ATHE Conference

Lionel Walsh
pp. 9-10
DOI: https://doi.org/10.1353/tt.2016.0017
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“Shedding Skins”: Keynote Performance/Address at the 2015 ATHE Conference in Montreal

Marie Brassard
pp. 11-22
DOI: https://doi.org/10.1353/tt.2016.0021
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LGBTQ Twentieth Anniversary Forum

LGBTQ Twentieth Anniversary Forum: Introduction

Jill Dolan, Kim Marra, Robert A. Schanke
p. 23
DOI: https://doi.org/10.1353/tt.2016.0025
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ATHE’s Latent Homosexuality: Commemorative Remarks at the 2015 ATHE General Membership Meeting

Sara Warner
pp. 24-25
DOI: https://doi.org/10.1353/tt.2016.0002
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LGBTQ Historical Scholarship: What Was It Like Twenty Years Ago?

Robert A. Schanke, Kim Marra
pp. 27-41
DOI: https://doi.org/10.1353/tt.2016.0007
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Syncopated Presence: Bridging LGBT Histories and Queer Futures

Jill Dolan
pp. 43-44
DOI: https://doi.org/10.1353/tt.2016.0011
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Queer Futures: The Then and There of LGBTQ Theatre Scholarship

Kareem Khubchandani
pp. 45-46
DOI: https://doi.org/10.1353/tt.2016.0015
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Evanescence: Three Tales of the Recent Queer Theatrical Past

Brian Eugenio Herrera
pp. 47-51
DOI: https://doi.org/10.1353/tt.2016.0019
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Queer Forms and Contacts

Sean Metzger
pp. 53-55
DOI: https://doi.org/10.1353/tt.2016.0023
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Dancing toward Queer Horizons

Clare Croft
pp. 57-62
DOI: https://doi.org/10.1353/tt.2016.0000
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Essays

The Native Plays of Lynn Riggs (Cherokee) and the Question of “Race”-specific Casting

Courtney Elkin Mohler
pp. 63-75
DOI: https://doi.org/10.1353/tt.2016.0005
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Theatre History is/as/through Production Labor

Christin Essin
pp. 77-90
DOI: https://doi.org/10.1353/tt.2016.0010
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Collaboration in Time: An Interdependent Production Process

Rich Brown, John Wiese
pp. 91-103
DOI: https://doi.org/10.1353/tt.2016.0014
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Reversing the Process: Investigating Multidisciplinary Compositional Practices in The Fall of Icarus

Duška Radosavljević, George Rodosthenous
pp. 105-116
DOI: https://doi.org/10.1353/tt.2016.0018
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Repertoire Is Technique: Programming Transmission at a Xiqu Festival

Josh Stenberg
pp. 117-129
DOI: https://doi.org/10.1353/tt.2016.0022
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Notes from the Field

Between Pen and Sweat: An Account of an Encounter between a Director and a Dramaturg

Analola Santana, Claudio Valdés Kuri
pp. 131-140
DOI: https://doi.org/10.1353/tt.2016.0026
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Everyday Astonishment and Crafting the Theatrical: Speaking with David Downs on Undergraduate Acting Training

Max Shulman
pp. 141-147
DOI: https://doi.org/10.1353/tt.2016.0003
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Notes from the Field (Online Only)

The Courage to Teach and the Courage to Lead: Considerations for Theatre and Dance in Higher Education

Ray Miller
pp. E-1-E-7
DOI: https://doi.org/10.1353/tt.2016.0001
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Index of Chinese Characters for “Repertoire Is Technique: Programming Transmission at a Xiqu Festival”

Josh Stenberg
pp. E-9-E-10
DOI: https://doi.org/10.1353/tt.2016.0006
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Book Reviews

A Practical Guide to Ensemble Devising by Davis Robinson (review)

Karen Jean Martinson
pp. 149-150
DOI: https://doi.org/10.1353/tt.2016.0008
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Women of Will: Following the Feminine in Shakespeare’s Plays by Tina Packer (review)

Kate Busselle
pp. 150-151
DOI: https://doi.org/10.1353/tt.2016.0012
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Voice Studies: Critical Approaches to Process, Performance and Experience ed. by Konstantinos Thomaidis and Ben Macpherson (review)

Deric Mcnish
pp. 151-152
DOI: https://doi.org/10.1353/tt.2016.0016
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Theatre and Adaptation: Return, Rewrite, Repeat ed. by Margherita Laera (review)

Mary Elaine Vansant
pp. 152-153
DOI: https://doi.org/10.1353/tt.2016.0020
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Clowns: In Conversation with Modern Masters by Ezra LeBank and David Bridel (review)

Dave Peterson
pp. 153-154
DOI: https://doi.org/10.1353/tt.2016.0024
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