1. Brer Rabbit and the Destruction of the Temple in Jerusalem: The Double Voice in Literatures of Exile
  2. Rachel S. Mikva
  3. pp. 1-27
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  1. Patrick Modiano’s Raphaël Schlemilovitch and Homer’s Odysseus Laertiades: Fit(ted) Companions?
  2. Charles O’Keefe
  3. pp. 28-56
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  1. Gender, Modernity, and the End of the Fil-Hispanic World
  2. William Arighi
  3. pp. 57-77
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  1. Did World War I Foster Distinctly “Spectatorial” Attitudes in Writers?
  2. Michael West
  3. pp. 78-113
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  1. Pierre Menard the Sur-realist
  2. Delia Ungureanu
  3. pp. 114-149
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  1. Pierre Bayard and the Ironies of Detective Criticism: From Text Back to Work
  2. Alistair Rolls, Jesper Gulddal
  3. pp. 150-169
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  1. A Dissonance of Discourses: Literary Theory, Ideology, and Translation in Mo Yan and Chinese Literary Studies
  2. Lucas Klein
  3. pp. 170-197
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  1. Entanglements, or Transmedial Thinking about Capture by Rey Chow (review)
  2. Se Young Kim
  3. pp. 198-201
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  1. García Márquez and Ovid: Magical and Monstrous Realities by Lorna Robinson (review)
  2. Jerónimo Arellano
  3. pp. 205-207
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  1. In Memoriam: John Neubauer 1933–2015
  2. p. i
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  1. German Writing, American Reading: Women and the Import of Fiction, 1866–1917 by Lynne Tatlock (review)
  2. Jill Suzanne Smith
  3. pp. e-1-e-4
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  1. The Disappearance of Literature: Blanchot, Agamben, and the Writers of the No by Aaron Hillyer (review)
  2. Anne McConnell
  3. pp. e-4-e-8
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  1. Coleridge and Kantian Ideas in England, 1796–1817: Coleridge’s Responses to German Philosophy by Monika Class (review)
  2. Tudor Balinisteanu
  3. pp. e-8-e-12
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  1. Multimedia Archaeologies: Gabriele D’Annunzio, Belle Époque Paris, and the Total Artwork by Andrea Mirabile (review)
  2. Ronjaunee Chatterjee
  3. pp. e-12-e-15
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