1. “The Power of a Form of Thought that Has Become Foreign to Itself”: Rancière, Romanticism and the Partage of the Sensible
  2. Kir Kuiken
  3. pp. 6-21
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  1. Kristeva, Stoicism, and the “True Life of Interpretations”
  2. Kurt Lampe
  3. pp. 22-43
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  1. A Note on Deleuze and Renaissance Art
  2. Javier Berzal de Dios
  3. pp. 44-65
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  1. Redeeming Kracauer’s Theory of Film: An Examination of the Importance of Material Aesthetics
  2. Jeeshan Gazi
  3. pp. 66-80
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  1. Letters for the Blind
  2. Robert S. Lehman
  3. pp. 81-97
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  1. Playing with Fire-Space: Site-Specific Placement and the Techno-pharmacology of Maria Irene Fornes’s Mud
  2. Guy Zimmerman
  3. pp. 98-115
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  1. The Conventional and the Queer: Lily Bart, An Unlivable Ideal
  2. Johanna M. Wagner
  3. pp. 116-139
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  1. The Technology of the Question and the Responsibility for Sense
  2. Kasper Lysemose
  3. pp. 140-157
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  1. Posing Sex: Prospects for a Perceptual Ethics
  2. Alan Singer
  3. pp. 158-183
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  1. Picture of the Elder R.B. in a Prospect of Mortality
  2. Christopher Norris
  3. pp. 184-206
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  1. Introduction: The Editors of SubStance
  2. David F. Bell, Pierre Cassou-Noguès, Paul A. Harris, Éric Méchoulan
  3. pp. 3-5
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  1. Contributors
  2. pp. 207-208
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