In this Issue

Table of Contents

Referencing Proust in Annie Guéhenno’s L’épreuve

Kathy Comfort
pp. 1-17
DOI: https://doi.org/10.1353/mos.2016.0007
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From Experiment to Epidemic: Embodiment in the Decadent Modernism of Arthur Machen’s “The Great God Pan” and “The Inmost Light”

Gabriel Lovatt
pp. 19-35
DOI: https://doi.org/10.1353/mos.2016.0010
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Vectors of a Flea: The Convergence of Species in Victorian Animal Autobiographies

Justin Prystash
pp. 37-53
DOI: https://doi.org/10.1353/mos.2016.0001
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Limbo, Pluto, Soprano: Negative Capability in Three Underworlds

Wayne Glausser
pp. 55-71
DOI: https://doi.org/10.1353/mos.2016.0003
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Redrawing History: Visual Postmemory in Tardi’s 120, rue de la Gare

Jennifer Anderson Bliss
pp. 73-92
DOI: https://doi.org/10.1353/mos.2016.0004
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The Detective as “Zombie of the Interrogative Mood” in Cameron McCabe’s The Face on the Cutting-Room Floor

Romén Reyes-Peschl
pp. 93-109
DOI: https://doi.org/10.1353/mos.2016.0005
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“Set my lands in order”: States of Exception, the Cinematic, and The Waste Land

Sean Dempsey
pp. 111-127
DOI: https://doi.org/10.1353/mos.2016.0006
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Gift-giving and Domesticating the Upper-class Pooch in Flush

Payal Taneja
pp. 129-144
DOI: https://doi.org/10.1353/mos.2016.0009
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Time and Timelessness: A Study of Narrative Structure in Murakami Haruki’s Kafka on the Shore

Virginia Yeung
pp. 145-160
DOI: https://doi.org/10.1353/mos.2016.0000
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Jazzing the Novel: The Derridean Ethics of Michael Ondaatje’s Coming through Slaughter

Natalie Diebschlag
pp. 161-178
DOI: https://doi.org/10.1353/mos.2016.0002
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Introduction

Dawne McCance
pp. v-vi
DOI: https://doi.org/10.1353/mos.2016.0008
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