In this Issue

Table of Contents

Song as Paraphrase

Lawrence Kramer
pp. 573-594
DOI: https://doi.org/10.1353/nlh.2015.0035
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Unwriting Medieval Song

Emma Dillon
pp. 595-622
DOI: https://doi.org/10.1353/nlh.2015.0038
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Ci Songs From the Song Dynasty: A Ménage à Trois of Lyrics, Music, and Performance

Joseph S. C. Lam
pp. 623-646
DOI: https://doi.org/10.1353/nlh.2015.0040
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It’s Not About the Cut: The Castrato’s Instrumentalized Song

Bonnie Gordon
pp. 647-667
DOI: https://doi.org/10.1353/nlh.2015.0042
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Poem Into Song

Elizabeth Helsinger
pp. 669-690
DOI: https://doi.org/10.1353/nlh.2015.0044
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“The Abstract Pathos of Song”: Carl Sandburg, John Lomax, and the Modernist Revival of Folksong

Andrew Peart
pp. 691-714
DOI: https://doi.org/10.1353/nlh.2015.0031
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Songs of the Century

T. Austin Graham
pp. 715-736
DOI: https://doi.org/10.1353/nlh.2015.0034
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Dylan’s Bridges

Charles O. Hartman
pp. 737-757
DOI: https://doi.org/10.1353/nlh.2015.0037
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To Make Song Without Singing: Hip Hop and Popular Music in Senegal

Catherine M. Appert
pp. 759-774
DOI: https://doi.org/10.1353/nlh.2015.0039
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TransAmericana: Gender, Genre, and Journey

Shana Goldin-Perschbacher
pp. 775-803
DOI: https://doi.org/10.1353/nlh.2015.0041
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The Audible Past, or What Remains of the Song-Sequence in New Bollywood Cinema

Sangita Gopal
pp. 805-822
DOI: https://doi.org/10.1353/nlh.2015.0043
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Songs Are Like Tattoos: A Response

Eric Lott
pp. 823-830
DOI: https://doi.org/10.1353/nlh.2015.0045
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Introduction

Jahan Ramazani, Herbert F. Tucker
pp. vii-xi
DOI: https://doi.org/10.1353/nlh.2015.0032
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Contributors

pp. 831-832
DOI: https://doi.org/10.1353/nlh.2015.0033
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Books Received

pp. 833-834
DOI: https://doi.org/10.1353/nlh.2015.0036
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