1. Front Porch
  2. Harry L. Watson
  3. pp. 1-2
  4. DOI: 10.1353/scu.2016.0008
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  1. Looking and Telling, Again and Again: The Documentary Impulse
  2. Tom Rankin
  3. pp. 3-9
  4. DOI: 10.1353/scu.2016.0011
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  1. Compelled to Listen: The Making of an Ethnographer
  2. Martha King
  3. pp. 10-14
  4. DOI: 10.1353/scu.2016.0013
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  1. Missionary: Boyhood as an Elder
  2. Marcus Journey
  3. pp. 15-22
  4. DOI: 10.1353/scu.2016.0001
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  1. “It’s Not All Hard Candy and Horse Shit”: Christmas in Cat Square
  2. Aaron Canipe
  3. pp. 23-30
  4. DOI: 10.1353/scu.2016.0003
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  1. Protesting the Privilege of Perception: Resistance to Documentary Work in Hale County, Alabama, 1900–2010
  2. Scott L. Matthews
  3. pp. 31-65
  4. DOI: 10.1353/scu.2016.0005
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  1. “Written and Composed by Nora E. Carpenter”: Song Lyric Scrapbooks, Home Recordings, and Self-Documentation
  2. Emily Hilliard
  3. pp. 66-78
  4. DOI: 10.1353/scu.2016.0007
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  1. This Is a Reflection: Participatory Documentary in Tutwiler, Mississippi
  2. Paige Prather
  3. pp. 79-86
  4. DOI: 10.1353/scu.2016.0010
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  1. “Those who complain often don’t come back”: Stories of Migrant Life
  2. Kyle Warren
  3. pp. 87-94
  4. DOI: 10.1353/scu.2016.0012
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  1. Home in a New Place: Making Laos in Morganton, North Carolina
  2. Katy A. Clune
  3. pp. 95-112
  4. DOI: 10.1353/scu.2016.0000
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  1. On the Participatory Archive: The Formation of the Eastern Kentucky African American Migration Project
  2. Karida L. Brown
  3. pp. 113-127
  4. DOI: 10.1353/scu.2016.0002
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  1. The Uses of Memoir in Writing History: Or, What I Learned About Autobiography from John Hope Franklin and August Meier
  2. Kenneth R. Janken
  3. pp. 128-136
  4. DOI: 10.1353/scu.2016.0004
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  1. Astronomy
  2. Jesse Graves
  3. p. 137
  4. DOI: 10.1353/scu.2016.0006
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  1. Contributors
  2. p. 138
  3. DOI: 10.1353/scu.2016.0009
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