In this Issue

Table of Contents

Langston Hughes and Performing Transnational Presence: Scottsboro Limited and Harvest

Ramona Tougas
pp. 259-287
DOI: https://doi.org/10.1353/cdr.2015.0029
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Re-Proofing the “Zero Part of Speech” in Hamlet

John Freeman
pp. 289-312
DOI: https://doi.org/10.1353/cdr.2015.0031
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Food Production in the Croxton Play of the Sacrament

Ernst Gerhardt
pp. 313-333
DOI: https://doi.org/10.1353/cdr.2015.0033
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The Social Meaning of Money in Dekker’s The Shoemaker’s Holiday and Shakespeare’s The Merchant of Venice

Huey-ling Lee
pp. 335-366
DOI: https://doi.org/10.1353/cdr.2015.0035
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Staging Women and the Soul-Body Dynamic in Early Modern England by Sarah E. Johnson (review)

Ariane M. Balizet
pp. 369-371
DOI: https://doi.org/10.1353/cdr.2015.0026
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At Work in the Early Modern Theater: Valuing Labor by Matthew Kendrick (review)

Elizabeth Rivlin
pp. 372-375
DOI: https://doi.org/10.1353/cdr.2015.0027
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Marlowe’s Ovid: The Elegies in the Marlowe Canon by M. L. Stapleton (review)

Bruce E. Brandt
pp. 375-378
DOI: https://doi.org/10.1353/cdr.2015.0028
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Suzan-Lori Parks in Person: Interviews and Commentaries ed. by Philip C. Kolin and Harvey Young (review)

Valerie M. Joyce
pp. 378-381
DOI: https://doi.org/10.1353/cdr.2015.0030
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The Queen’s Dumbshows: John Lydgate and the Making of Early Theater by Claire Sponsler (review)

Emma Lipton
pp. 381-384
DOI: https://doi.org/10.1353/cdr.2015.0032
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Brief Notices

pp. 385-389
DOI: https://doi.org/10.1353/cdr.2015.0034
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Contributors

pp. 391-392
DOI: https://doi.org/10.1353/cdr.2015.0036
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