1. Langston Hughes and Performing Transnational Presence: Scottsboro Limited and Harvest
  2. Ramona Tougas
  3. pp. 259-287
  4. DOI: 10.1353/cdr.2015.0029
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  1. Re-Proofing the “Zero Part of Speech” in Hamlet
  2. John Freeman
  3. pp. 289-312
  4. DOI: 10.1353/cdr.2015.0031
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  1. Food Production in the Croxton Play of the Sacrament
  2. Ernst Gerhardt
  3. pp. 313-333
  4. DOI: 10.1353/cdr.2015.0033
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  1. The Social Meaning of Money in Dekker’s The Shoemaker’s Holiday and Shakespeare’s The Merchant of Venice
  2. Huey-ling Lee
  3. pp. 335-366
  4. DOI: 10.1353/cdr.2015.0035
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  1. Staging Women and the Soul-Body Dynamic in Early Modern England by Sarah E. Johnson (review)
  2. Ariane M. Balizet
  3. pp. 369-371
  4. DOI: 10.1353/cdr.2015.0026
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  1. At Work in the Early Modern Theater: Valuing Labor by Matthew Kendrick (review)
  2. Elizabeth Rivlin
  3. pp. 372-375
  4. DOI: 10.1353/cdr.2015.0027
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  1. Marlowe’s Ovid: The Elegies in the Marlowe Canon by M. L. Stapleton (review)
  2. Bruce E. Brandt
  3. pp. 375-378
  4. DOI: 10.1353/cdr.2015.0028
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  1. Suzan-Lori Parks in Person: Interviews and Commentaries ed. by Philip C. Kolin and Harvey Young (review)
  2. Valerie M. Joyce
  3. pp. 378-381
  4. DOI: 10.1353/cdr.2015.0030
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  1. The Queen’s Dumbshows: John Lydgate and the Making of Early Theater by Claire Sponsler (review)
  2. Emma Lipton
  3. pp. 381-384
  4. DOI: 10.1353/cdr.2015.0032
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  1. Brief Notices
  3. pp. 385-389
  4. DOI: 10.1353/cdr.2015.0034
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  1. Contributors
  3. pp. 391-392
  4. DOI: 10.1353/cdr.2015.0036
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