1. T’rough Accident: Utterance and Evolution in Songs of Jamaica
  2. Alex Benson
  3. pp. 1-16
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  1. Pays-là chaviré: Revolutionary Politics in Nineteenth-Century Haitian Creole Popular Music
  2. Kate Hodgson
  3. pp. 18-36
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  1. “That Area of Experience That We Term the New World”: Introducing Sylvia Wynter’s “Black Metamorphosis”
  2. Aaron Kamugisha
  3. pp. 38-46
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  1. From Mode of Production to Mode of Auto-Institution: Sylvia Wynter’s Black Metamorphosis of the Labor Question
  2. Demetrius L. Eudell
  3. pp. 47-61
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  1. Marronnons / Let’s Maroon: Sylvia Wynter’s “Black Metamorphosis” as a Species of Maroonage
  2. Greg Thomas
  3. pp. 62-78
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  1. Rebellion/Invention/Groove
  2. Katherine McKittrick
  3. pp. 79-91
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  1. Sylvia Wynter’s Theory of the Human and the Crisis School of Caribbean Heteromasculinity Studies
  2. Tonya Haynes
  3. pp. 92-112
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  1. The Resistance of the Lost Body
  2. Nijah Cunningham
  3. pp. 113-128
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  1. The Black Experience of New World Coloniality
  2. Aaron Kamugisha
  3. pp. 129-145
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  1. Eyedealism
  2. Matthew McCarthy
  3. pp. 147-154
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  1. Fugitive Sounds
  2. Alejandra Bronfman
  3. pp. 155-163
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  1. Broken Melodies and Deep Grooves: Listening at the Limits of Cuban Music in Miami
  2. Celeste Fraser Delgado
  3. pp. 164-174
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  1. Una escuela rara: Feminist Methodologies, Innovation, and the Sound of What Is to Come in Diaspora Studies
  2. Samantha Pinto
  3. pp. 175-184
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  1. You Can Bring All Your Friends
  2. Alexandra T. Vazquez
  3. pp. 185-193
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  1. Preface: Sylvia Wynter’s Agonistic Intimations
  2. David Scott
  3. pp. vii-x
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  1. Contributors
  2. pp. 194-196
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