1. Sardonic Recurrence and Barking Dogs in Julio Cortázar’s Library of Tangos
  2. Marilyn G. Miller
  3. pp. 1-23
  4. DOI: 10.1353/hir.2016.0012
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  1. The Yoke of the Hat: Consumption, Middle-Class Values, and Social Mobility in Carmen de Burgos’s La Flor de la Playa
  2. Ezekiel Trautenberg
  3. pp. 25-46
  4. DOI: 10.1353/hir.2016.0001
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  1. Realism as Master Genre: The Dialogic Crisis in Cecilia Valdés
  2. Javier Jiménez
  3. pp. 47-67
  4. DOI: 10.1353/hir.2016.0003
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  1. Barroco, monstruosidad y mercancía en Historia general y natural de las Indias, de Gonzalo Fernández de Oviedo
  2. Azucena Hernández-Ramírez
  3. pp. 69-92
  4. DOI: 10.1353/hir.2016.0005
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  1. Desenfocadas: cineastas españolas y discursos de género by Barbara Zecchi (review)
  2. Sergio Arlandis
  3. pp. 93-96
  4. DOI: 10.1353/hir.2016.0007
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  1. Porous City: A Cultural History of Rio de Janeiro by Bruno Carvalho (review)
  2. Sophia Beal
  3. pp. 96-99
  4. DOI: 10.1353/hir.2016.0009
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  1. Ariel’s Ecology: Plantations, Personhood, and Colonialism in the American Tropics by Monique Allewaert (review)
  2. Marlene L. Daut
  3. pp. 99-104
  4. DOI: 10.1353/hir.2016.0011
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  1. El arte de ficcionar: la novela contemporánea en Centroamérica by Alexandra Ortiz Wallner (review)
  2. Yajaira M. Padilla
  3. pp. 107-110
  4. DOI: 10.1353/hir.2016.0002
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  1. Pliegues visuales: narrativa y fotografía en la novela latinoamericana contemporánea by Magdalena Perkowska (review)
  2. Dan Russek
  3. pp. 110-113
  4. DOI: 10.1353/hir.2016.0004
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  1. La novela ideológica (1875–1880): la literatura de ideas en la España de la Restauración by Ignacio Javier López (review)
  2. Sarah Sierra
  3. pp. 113-116
  4. DOI: 10.1353/hir.2016.0006
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  1. Mexican Screen Fiction by Paul Julian Smith (review)
  2. Niamh Thornton
  3. pp. 117-119
  4. DOI: 10.1353/hir.2016.0008
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  1. Books Received
  2. pp. 121-123
  3. DOI: 10.1353/hir.2016.0010
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