At War: Spaces of Conflict (1870-2015)

  1. Introduction: Spaces of Conflict, Spaces in Conflict
  2. Jessica Tanner, Marisa Escolar
  3. pp. 339-344
  4. DOI: 10.1353/rmc.2015.0060
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  1. Engendering Occupation: The Body as Warzone in Liliana Cavani’s La pelle
  2. Ruth Glynn
  3. pp. 345-355
  4. DOI: 10.1353/rmc.2015.0063
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  1. Behind the Frontlines: Women’s Wartime Experiences as Front-Page News (France 1870–1918)
  2. Kathryne Adair Corbin
  3. pp. 357-370
  4. DOI: 10.1353/rmc.2015.0065
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  1. The Milieu of the Prisoner-of-War Camp in La Grande Illusion
  2. Melanie Conroy
  3. pp. 371-384
  4. DOI: 10.1353/rmc.2015.0067
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  1. Recasting the Liberal-Democratic Male Subject in Mario Monicelli’s La grande guerra
  2. Anthony Martire
  3. pp. 385-393
  4. DOI: 10.1353/rmc.2015.0055
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  1. Losing Orientation: Enzo Bettiza’s Esilio and the Memory of World War II on the Adriatic Border
  2. Franco Baldasso
  3. pp. 395-407
  4. DOI: 10.1353/rmc.2015.0057
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  1. War by Documentary
  2. Rachel Gabara
  3. pp. 409-423
  4. DOI: 10.1353/rmc.2015.0059
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  1. Futurism’s First War: Apocalyptic Space in F. T. Marinetti’s Writings from Tripoli
  2. James Leveque
  3. pp. 425-437
  4. DOI: 10.1353/rmc.2015.0062
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  1. Making Space: Tactical Maneuvers in Hélène Cixous’s Un vrai jardin
  2. Anna Bernard-Hoverstad
  3. pp. 439-449
  4. DOI: 10.1353/rmc.2015.0064
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Other Debates

  1. Beyond the ‘Affaire Tartuffe’: Seventeenth-Century French Theatre in Colonial Quebec
  2. Micah True
  3. pp. 451-461
  4. DOI: 10.1353/rmc.2015.0066
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  1. Baudelaire the Frequent Flyer: Prostitution, the Press, and How the Prose Poem Almost Sold its Soul
  2. Thomas C. Connolly
  3. pp. 463-474
  4. DOI: 10.1353/rmc.2015.0054
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  1. Les images françaises dans la littérature franco-chinoise: en commençant par Ki-tong Tcheng
  2. Wen-Hui Chang
  3. pp. 475-485
  4. DOI: 10.1353/rmc.2015.0056
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  1. Mathieu Bénézet et la poésie de consommation
  2. Glenn W. Fetzer
  3. pp. 487-494
  4. DOI: 10.1353/rmc.2015.0058
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  1. The Littérature-monde vs. the Parisian Publishing Empire
  2. Holly Collins
  3. pp. 495-508
  4. DOI: 10.1353/rmc.2015.0061
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