In this Issue

Table of Contents

Love Notes For Betty: A Eulogy

David Lionel Smith
pp. 1-4
DOI: https://doi.org/10.1353/cal.2002.0045
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"Shoot Myself a Cop": Mamie Smith's "Crazy Blues" as Social Text

Adam Gussow
pp. 8-44
DOI: https://doi.org/10.1353/cal.2002.0017
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News from Heaven: Vernacular Time in Langston Hughes's Ask Your Mama

Larry Scanlon
pp. 45-65
DOI: https://doi.org/10.1353/cal.2002.0042
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Jazz Prosodies: Orality and Textuality

Meta Du Ewa Jones
pp. 66-91
DOI: https://doi.org/10.1353/cal.2002.0022
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New Orleans Bibliography

Tonya M. Foster
pp. 92-93
DOI: https://doi.org/10.1353/cal.2002.0016
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Jazz

Fred Moten
p. 94
DOI: https://doi.org/10.1353/cal.2002.0034
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Miles Davis

Fred Moten
p. 95
DOI: https://doi.org/10.1353/cal.2002.0035
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Gayl Jones

Fred Moten
p. 96
DOI: https://doi.org/10.1353/cal.2002.0036
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Untitled

Tracie Morris
p. 97
DOI: https://doi.org/10.1353/cal.2002.0032
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Liner Notes (Shuggie Otis Reissue)

Brent Hayes Edwards
pp. 98-101
DOI: https://doi.org/10.1353/cal.2002.0014
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notes from the hot garbadine scene, The New Riviera Hotel, Dust Forever Halflife Bearings, and Oct. 5, 1963

pp. 112-116
DOI: https://doi.org/10.1353/cal.2002.0049
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Jail Poems

Bob Kaufman
pp. 117-121
DOI: https://doi.org/10.1353/cal.2002.0023
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Bagel Shop Jazz

Bob Kaufman
pp. 122-123
DOI: https://doi.org/10.1353/cal.2002.0024
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The Poet

Bob Kaufman
pp. 124-126
DOI: https://doi.org/10.1353/cal.2002.0025
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Walking Parker Home

Bob Kaufman
p. 127
DOI: https://doi.org/10.1353/cal.2002.0026
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The Ancient Rain

Bob Kaufman
pp. 128-132
DOI: https://doi.org/10.1353/cal.2002.0027
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Benediction

Bob Kaufman
p. 133
DOI: https://doi.org/10.1353/cal.2002.0028
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"A Hard Rain": Looking to Bob Kaufman

Aldon Lynn Nielsen
pp. 135-145
DOI: https://doi.org/10.1353/cal.2002.0038
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"Remembering When Indians Were Red": Bob Kaufman, the Popular Front, and the Black Arts Movement

James Smethurst
pp. 146-164
DOI: https://doi.org/10.1353/cal.2002.0044
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Saxophones and Smothered Rage: Bob Kaufman, Jazz and the Quest for Redemption

Amor Kohli
pp. 165-182
DOI: https://doi.org/10.1353/cal.2002.0029
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Bob Kaufman and the (In)visible Double

Jeffrey Falla
pp. 183-189
DOI: https://doi.org/10.1353/cal.2002.0015
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Between Black, Brown & Beige: Latino Poets and the Legacy of Bob Kaufman

Rod Hernandez
pp. 190-196
DOI: https://doi.org/10.1353/cal.2002.0019
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The Poet in Post-Endurance

Will Alexander
pp. 197-198
DOI: https://doi.org/10.1353/cal.2002.0001
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Wild American: For Bob

Cornelius Eady
p. 199
DOI: https://doi.org/10.1353/cal.2002.0012
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The Clicker: For Bob Kaufman

Tracie Morris
p. 200
DOI: https://doi.org/10.1353/cal.2002.0033
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Untitled

David Meltzer
pp. 201-202
DOI: https://doi.org/10.1353/cal.2002.0030
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Untitled

David Meltzer
pp. 203-204
DOI: https://doi.org/10.1353/cal.2002.0031
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Endlessly Mendlessly Seeking All Whole Nest

Daniel Carter
p. 205
DOI: https://doi.org/10.1353/cal.2002.0004
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Untitled

Daniel Carter, Scott Hreha
pp. 206-213
DOI: https://doi.org/10.1353/cal.2002.0005
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Walking Kaufman Home

Everett Hoagland
pp. 214-215
DOI: https://doi.org/10.1353/cal.2002.0020
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Five Haiku

James E. Cherry
p. 216
DOI: https://doi.org/10.1353/cal.2002.0006
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Beat

James E. Cherry
p. 217
DOI: https://doi.org/10.1353/cal.2002.0007
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Missing in Action: For Bob Kaufman

Horace Coleman
pp. 218-219
DOI: https://doi.org/10.1353/cal.2002.0008
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A Context for Understanding Inland Beatness and Bob Kaufman

Horace Coleman
pp. 220-221
DOI: https://doi.org/10.1353/cal.2002.0009
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Unpainted Discussions/Bob Kaufman's E-Corpse

Lisa Samuels, Maria Damon, Jordan Davis, Jorge Guitart, Rod Smith, Cris Cheek, Gabrielle Welford
p. 222
DOI: https://doi.org/10.1353/cal.2002.0041
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Mesostics for Bob Kaufman

Giovanni Singleton
pp. 223-228
DOI: https://doi.org/10.1353/cal.2002.0043
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Zen Acorn

Harryette Mullen
p. 229
DOI: https://doi.org/10.1353/cal.2002.0037
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Musical Score Written for Bob Kaufman

William Parker
p. 230
DOI: https://doi.org/10.1353/cal.2002.0039
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Forget To Not

Bob Kaufman
p. 231
DOI: https://doi.org/10.1353/cal.2002.0003
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Of Black Bards, Known and Unknown: Music as Racial Metaphor in James Weldon Johnson's The Autobiography of an Ex-Colored Man

Salim Washington
pp. 233-256
DOI: https://doi.org/10.1353/cal.2002.0048
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The Role of the Blues in Gayl Jones's Corregidora

Donia Elizabeth Allen
pp. 257-273
DOI: https://doi.org/10.1353/cal.2002.0002
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From "Liberating Voices" to "Metathetic Ventriloquism": Boundaries in Recent African-American Jazz Fiction

Fritz Gysin
pp. 274-287
DOI: https://doi.org/10.1353/cal.2002.0018
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The Canonization of Jazz and Afro-American Literature

Gregory V. Thomas
pp. 288-308
DOI: https://doi.org/10.1353/cal.2002.0047
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Muzing New Hoods, Making New Identities: Film, Hip-Hop Culture, and Jazz Music

Guthrie P. Ramsey
pp. 309-320
DOI: https://doi.org/10.1353/cal.2002.0040
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Nathaniel Mackey's Bedouin Hornbook: An Annotated Discography of Specific Musical References

Sarah Hreha, Scott Hreha
pp. 321-337
DOI: https://doi.org/10.1353/cal.2002.0021
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A Bibliography of Jazz Poetry Criticism

Brent Hayes Edwards, John F. Szwed
pp. 338-346
DOI: https://doi.org/10.1353/cal.2002.0046
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Introduction

Brent Hayes Edwards
pp. 5-7
DOI: https://doi.org/10.1353/cal.2002.0013
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Introduction

Maria Damon
pp. 105-111
DOI: https://doi.org/10.1353/cal.2002.0011
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Contributors

pp. 348-354
DOI: https://doi.org/10.1353/cal.2002.0010
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