In this Issue

Table of Contents

The Sexual Objects of “Parodistic” Camp

Scott Herring
pp. 5-8
DOI: https://doi.org/10.1353/mod.2016.0013
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Camp, Modernism, and Charles Henri Ford

Alexander Howard
pp. 9-13
DOI: https://doi.org/10.1353/mod.2016.0018
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Christopher Isherwood and the Limits of Camp

Chris Freeman
pp. 14-17
DOI: https://doi.org/10.1353/mod.2016.0022
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Camp Orlando (or) Orlando

Madelyn Detloff
pp. 18-22
DOI: https://doi.org/10.1353/mod.2016.0026
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Lady Macbeth Goes to Hollywood

Melissa Bradshaw
pp. 23-27
DOI: https://doi.org/10.1353/mod.2016.0002
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A Fugue on Camp

Allan Pero
pp. 28-36
DOI: https://doi.org/10.1353/mod.2016.0006
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Buenos Aires Bohème: Argentina and the Transatlantic Bohemian Renaissance, 1890–1910

Brian Bockelman
pp. 37-63
DOI: https://doi.org/10.1353/mod.2016.0011
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Elaborations of the Machine: The Automata Ballets

Linda M. Austin
pp. 65-87
DOI: https://doi.org/10.1353/mod.2016.0016
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Cybernetic Modernism and the Feedback Loop: Ezra Pound’s Poetics of Transmission

Heather A. Love
pp. 89-111
DOI: https://doi.org/10.1353/mod.2016.0020
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The Institutionalization of the Postwar Poet

Kamran Javadizadeh
pp. 113-139
DOI: https://doi.org/10.1353/mod.2016.0024
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Out of the Archive: Woolfian Domestic Economies

Sara Crangle
pp. 141-176
DOI: https://doi.org/10.1353/mod.2016.0000
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Cathedra: A Modernist Reading of Wittgenstein’s Philosophical Investigations

W. P. Grundy
pp. 177-191
DOI: https://doi.org/10.1353/mod.2016.0004
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Histories of the Future: The Institute of Contemporary Arts and the Reconstruction of Modernism in Post-war Britain

Kevin Brazil
pp. 193-217
DOI: https://doi.org/10.1353/mod.2016.0009
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The September Issue: Excess and Austerity in Fashion

Jessica Burstein
pp. 219-231
DOI: https://doi.org/10.1353/mod.2016.0014
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Infrastructures of Being: Modernism as Media Theory

Justus Nieland
pp. 233-242
DOI: https://doi.org/10.1353/mod.2016.0019
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Soldiers and Suffragettes: The Photography of Christina Broom (review)

Eileen Chanin
pp. 243-248
DOI: https://doi.org/10.1353/mod.2016.0023
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Giorgio de Chirico and the Metaphysical City: Nietzsche, Modernism, Paris by Ara H. Merjian (review)

Jonathan P. Eburne
pp. 249-251
DOI: https://doi.org/10.1353/mod.2016.0027
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Racial Blackness and the (Dis)continuity of Western Modernity by Lindon Barrett (review)

Hortense J. Spillers
pp. 251-255
DOI: https://doi.org/10.1353/mod.2016.0003
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What is a Classic? Postcolonial Rewriting and invention of the Canon by Ankhi Mukherjee (review)

Urmila Seshagiri
pp. 255-257
DOI: https://doi.org/10.1353/mod.2016.0007
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Out of Character: Modernism, Vitalism, Psychic Life by Omri Moses (review)

Claire Laville
pp. 257-259
DOI: https://doi.org/10.1353/mod.2016.0012
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Modernism and Masculinity ed. by Natalya Lusty and Julian Murphet (review)

Calvin Thomas
pp. 259-261
DOI: https://doi.org/10.1353/mod.2016.0017
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James Merrill: Life and Art by Langdon Hammer (review)

Benjamin Madden
pp. 261-263
DOI: https://doi.org/10.1353/mod.2016.0021
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The Poetics of Waste: Queer Excess in Stein, Ashbery, Schuyler, and Goldsmith by Christopher Schmidt (review)

Stephanie Lambert
pp. 263-265
DOI: https://doi.org/10.1353/mod.2016.0025
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The War That Used Up Words: American Writers and the First World War by Hazel Hutchison (review)

Alice Kelly
pp. 266-268
DOI: https://doi.org/10.1353/mod.2016.0001
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Hugh Garner’s Best Stories: A Critical Edition by Hugh Garner (review)

Emily Christina Murphy
pp. 268-269
DOI: https://doi.org/10.1353/mod.2016.0005
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The Judas Kiss: Treason and Betrayal in Six Modern Irish Novels by Gerry Smyth (review)

James Alexander Fraser
pp. 270-272
DOI: https://doi.org/10.1353/mod.2016.0010
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Recent Books of Interest

pp. 273-275
DOI: https://doi.org/10.1353/mod.2016.0015
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Camp Modernism Introduction

Marsha Bryant, Douglas Mao
pp. 1-4
DOI: https://doi.org/10.1353/mod.2016.0008
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