+ MUSE Alert

In this Issue

Table of Contents

  1. Signal Theatre, Creation, and Actor Training
  2. Michael Greyeyes
  3. pp. 1-2
  4. restricted access
  1. Equity in Theatre: A Project for Change
  2. Rebecca Burton, Laine Zisman Newman
  3. pp. 5-7
  4. restricted access
  1. Where Are All the Women? Equity, Post-Feminism, and Canadian Theatre
  2. Michelle MacArthur
  3. pp. 8-13
  4. restricted access
  1. Indigenizing the Role of Ally
  2. Cole Alvis
  3. pp. 14-19
  4. restricted access
  1. The Danger of a Single Story
  2. Valerie Sing Turner
  3. pp. 20-25
  4. restricted access
  1. Black Plays Matter: Watah Theatre, Creating Safe Space for Black Artists in These Dangerous Times
  2. d’bi.young anitafrika
  3. pp. 26-31
  4. restricted access
  1. Insatiable Sisters/Sister Solidarity
  2. Kim Katrin Milan, Gein Wong
  3. pp. 32-34
  4. restricted access
  1. Equity and the Academy: A Survey of Theatre Productions at Canadian Post-Secondary Institutions
  2. Nicholas Hanson, Alexa Elser
  3. pp. 35-39
  4. restricted access
  1. An Open Letter to the Artist as a Young Woman or Man; Or, Why We Need to Talk about Race
  2. Marilo Nuñez
  3. pp. 40-42
  4. restricted access
  1. Disability Arts and Equity in Canada
  2. Michele Decottignies
  3. pp. 43-47
  4. restricted access
  1. Feminism as a Marketing Tool: Calgary’s Urban Curvz
  2. Shelley Scott
  3. pp. 48-54
  4. restricted access
  1. Transitioning the Theatre Industry
  2. Sunny Drake
  3. pp. 55-59
  4. restricted access
  1. In Conversation with Women Artistic Directors
  2. Micheline Chevrier, ahdri zhina mandiela, Yvette Nolan, Mieko Ouchi, Beatriz Pizano, Sarah Garton Stanley
  3. pp. 60-64
  4. restricted access
  1. Keys
  2. Falen Johnson
  3. pp. 65-68
  4. restricted access
  1. Un-Settling
  2. nisha ahuja
  3. pp. 69-73
  4. restricted access
  1. Ms. Canadian Reality
  2. Leah-Simone Bowen
  3. pp. 74-76
  4. restricted access
  1. Editorial
  2. J. Paul Halferty
  3. p. 77
  4. restricted access
  1. Daring to Challenge Pervasive and Unfair Discrimination in the Theatre Industry
  2. Louise H. Forsyth
  3. pp. 78-80
  4. restricted access
  1. On Blending In and Standing Out
  2. Alana Gerecke
  3. pp. 81-83
  4. restricted access
  1. Seven Reasons Why I Believe We (Still) Need a Queer Theatre
  2. Brendan Healy
  3. pp. 84-86
  4. restricted access
  1. Performing Prostitution and Pedophilia: The Case of Poverty Cove’s Rabbit Rabbit
  2. Hans Rollmann
  3. pp. 87-89
  4. restricted access

Previous Issue

Volume 164, 2015

Next Issue

Volume 166, Spring 2016