1. Notices
  2. DOI: 10.1353/pmc.2015.0010
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  1. A Sensorimotor Collapse?: Deleuze and the Practice of Cinema
  2. Timothy Bewes
  3. DOI: 10.1353/pmc.2015.0003
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  1. Musical Affect, Musical Citation, Music-Immanence: Kurt Weill and the White Stripes
  2. Nicholas Brown
  3. DOI: 10.1353/pmc.2015.0005
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  1. “Blind Representation”: On the Epic Naiveté of the Cinema
  2. Michael D’Arcy
  3. DOI: 10.1353/pmc.2015.0006
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  1. Global Pictures: Formalist Strategies in the Era of New Media
  2. Krista Geneviève Lynes
  3. DOI: 10.1353/pmc.2015.0007
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  1. Debt Aesthetics: Medium Specificity and Social Practice in the Work of Cassie Thornton
  2. Leigh Claire La Berge, Dehlia Hannah
  3. DOI: 10.1353/pmc.2015.0009
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  1. Captivation and the Work of Art. A review of Rey Chow, Entanglements, or Transmedial Thinking about Capture
  2. Emilio Sauri
  3. DOI: 10.1353/pmc.2015.0004
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  1. Notes on Contributors
  2. DOI: 10.1353/pmc.2015.0008
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  1. Introduction: Medium and Mediation
  2. Matt Tierney, Mathias Nilges
  3. DOI: 10.1353/pmc.2015.0001
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