restricted access   Volume 72, Number 3, March 2016

Table of Contents

Ether Today, Gone Tomorrow: 21st Century Sound Recording Collection in Crisis

pp. 461-483
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Recent Efforts Toward Collaborative Preservation of Recorded Sound

pp. 484-489
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Music, Youtube, and Academic Libraries

pp. 491-508
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Notes For Notes

pp. 509-512
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Book Reviews

American and Popular Music

The B-Side: The Death of Tin Pan Alley and the Rebirth of the Great American Song by Ben Yagoda (review)

pp. 513-515
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Women Drummers: A History from Rock and Jazz to Blues and Country by Angela Smith (review)

pp. 515-517
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In Tune: Charley Patton, Jimmie Rodgers, and the Roots of American Music by Ben Wynne (review)

pp. 517-519
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Bernstein Meets Broadway: Collaborative Art in a Time of War by Carol J. Oja (review)

pp. 519-522
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The Mormon Tabernacle Choir: A Biography by Michael Hicks (review)

pp. 522-524
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Paul Simon: An American Tune by Cornel Bonca (review)

pp. 524-526
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Anxiety Muted: American Film Music in a Suburban Age ed. by Stanley C. Pelkey II and Anthony Bushard (review)

pp. 526-530
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Ethnomusicology

Tales, Tunes, and Tassa Drums: Retention and Invention in Indo-Caribbean Music by Peter Manuel (review)

pp. 530-532
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Iranian Classical Music: The Discourses and Practice of Creativity by Laudan Nooshin (review)

pp. 532-534
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Theory and Method in Historical Ethnomusicology ed. by Jonathan McCollum and David G. Hebert (review)

pp. 534-537
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Music and Place

The Italian Cantata in Vienna: Entertainment in the Age of Absolutism by Lawrence Bennett (review)

pp. 537-539
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A Paradise of Priests: Singing the Civic and Episcopal Hagiography of Medieval Liège by Catherine Saucier (review)

pp. 539-542
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Music Education

Whatsoever Things . . . : The Life and Teachings of John P. Paynter by Conceived and ed. by Mark Camphouse (review)

pp. 542-543
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Ethics and Aesthetics

The Political Force of Musical Beauty by Barry Shank (review)

pp. 544-546
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Music and Ethical Responsibility by Jeff R. Warren (review)

pp. 546-548
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Festschrift

Noter, annoter, éditer la musique: Mélanges offerts à Catherine Massip ed. by Cécile Reynaud and Herbert Schneider (review)

pp. 548-556
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Composers

Brahms among Friends: Listening, Performance, and the Rhetoric of Allusion by Paul Berry (review)

pp. 556-558
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Nikolay Myaskovsky: The Conscience of Russian Music by Gregor Tassie (review)

pp. 558-561
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The Music of Carl Philipp Emanuel Bach by David Schulenberg (review)

pp. 561-263
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Arnold Schoenberg’s A Survivor from Warsaw in Postwar Europe by Joy H. Calico (review)

pp. 563-565
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Mendelssohn, the Organ, and the Music of the Past: Constructing Historical Legacies ed. by Jürgen Thym (review)

pp. 565-567
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Understanding Boccherini’s Manu -scripts ed. by Rudolf Rasch (review)

pp. 567-569
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Brian Ferneyhough by Lois Fitch (review)

pp. 569-571
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Books Recently Published

pp. 572-583
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New Periodicals

pp. 584-590
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Digital Media Reviews

Boston Symphony Orchestra Archives (review)

pp. 591-594
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e-codices -Virtual Manuscript Library of Switzerland (review)

pp. 594-596
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Video Reviews

Barbara Hannigan: Concert Documentary by Barbara Hannigan, and: Lulu by Alban Berg (review)

pp. 597-598
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Lear by Aribert Reimann, and: King Lear by Aulis Sallinen (review)

pp. 598-599
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Yearning for the Presence: The Originating Process of the Opera Wunderzaichen by Uli Aumüller (review)

pp. 599-600
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Fryderyk Chopin by Angelo Bozzolini and Roberto Prosseda (review)

pp. 600-601
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Manuel de Falla: When the Fire Burns & Nights in the Gardens of Spain dir. by Larry Weinstein (review)

pp. 601-602
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Blue Note: A Story of Modern Jazz dir. by Julian Benedikt (review)

p. 602
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Feast of Friends by The Doors (review)

pp. 602-603
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Roads Rapidly Changing: In and Out of the Folk Revival, 1961–1965 by Bob Dylan (review)

pp. 603-604
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Inside Metal: Pioneers of L.A. Hard Rock and Metal (review)

pp. 604-605
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The Road Goes On Forever-50 Years of Inspiration by Neil Young (review)

pp. 605-606
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Music Reviews

Keyboard Music from Seventeenth-Century England

English Keyboard Music c. 1600–1625 ed. by Alan Brown (review)

pp. 607-610
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Rossini’s Le comte Ory

Le comte Ory: opéra en deux actes by Gioachino Rossini (review)

pp. 610-615
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Jewish Folk Music from the Baltics Recovered

Jewish Folk Songs from the Baltics: Selections from the Melngailis Collection ed. by Kevin C. Karnes (review)

pp. 615-619
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Chamber Works by Vaı˘nberg

Sonata No. 1 for Violin Solo, Opus 82; and: Sonata No. 2 for Violin Solo, Opus 95; and: 24 Preludes for Violoncello Solo; and: Three Palms, Opus 120; and: String Quartet No. 14, Opus 122; and: String Quartet No. 15, Opus 124 by Mieczysław Weinberg (review)

pp. 619-623
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Music Received

pp. 624-631
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Communications

p. 632
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Index to Advertisers

p. 633
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