1. Ether Today, Gone Tomorrow: 21st Century Sound Recording Collection in Crisis
  2. Judy Tsou, John Vallier
  3. pp. 461-483
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  1. Recent Efforts Toward Collaborative Preservation of Recorded Sound
  2. Jeremy A. Smith
  3. pp. 484-489
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  1. Music, Youtube, and Academic Libraries
  2. Kirstin Dougan
  3. pp. 491-508
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  1. Notes For Notes
  2. Lisa Hooper, Marianne Kordas, David Hunter, Beth J. Thompson, William M. Nelson, Deborah Campana
  3. pp. 509-512
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  1. The B-Side: The Death of Tin Pan Alley and the Rebirth of the Great American Song by Ben Yagoda (review)
  2. Marci Cohen
  3. pp. 513-515
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  1. Women Drummers: A History from Rock and Jazz to Blues and Country by Angela Smith (review)
  2. Thomas McCarthy Bell
  3. pp. 515-517
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  1. In Tune: Charley Patton, Jimmie Rodgers, and the Roots of American Music by Ben Wynne (review)
  2. Lawrence Davies
  3. pp. 517-519
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  1. Bernstein Meets Broadway: Collaborative Art in a Time of War by Carol J. Oja (review)
  2. Lara E. Housez
  3. pp. 519-522
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  1. The Mormon Tabernacle Choir: A Biography by Michael Hicks (review)
  2. Jake Johnson
  3. pp. 522-524
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  1. Paul Simon: An American Tune by Cornel Bonca (review)
  2. Anna Stephan-Robinson
  3. pp. 524-526
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  1. Anxiety Muted: American Film Music in a Suburban Age ed. by Stanley C. Pelkey II and Anthony Bushard (review)
  2. Jamuna Samuel
  3. pp. 526-530
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  1. Tales, Tunes, and Tassa Drums: Retention and Invention in Indo-Caribbean Music by Peter Manuel (review)
  2. Francisco D. Lara
  3. pp. 530-532
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  1. Iranian Classical Music: The Discourses and Practice of Creativity by Laudan Nooshin (review)
  2. Hadi Milanloo
  3. pp. 532-534
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  1. Theory and Method in Historical Ethnomusicology ed. by Jonathan McCollum and David G. Hebert (review)
  2. Justin R. Hunter
  3. pp. 534-537
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  1. The Italian Cantata in Vienna: Entertainment in the Age of Absolutism by Lawrence Bennett (review)
  2. Giulia Giovani
  3. pp. 537-539
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  1. A Paradise of Priests: Singing the Civic and Episcopal Hagiography of Medieval Liège by Catherine Saucier (review)
  2. Michelle Urberg
  3. pp. 539-542
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  1. Whatsoever Things . . . : The Life and Teachings of John P. Paynter by Conceived and ed. by Mark Camphouse (review)
  2. Raoul F. Camus
  3. pp. 542-543
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  1. The Political Force of Musical Beauty by Barry Shank (review)
  2. Alice Miller Cotter
  3. pp. 544-546
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  1. Music and Ethical Responsibility by Jeff R. Warren (review)
  2. Scott Gleason
  3. pp. 546-548
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  1. Noter, annoter, éditer la musique: Mélanges offerts à Catherine Massip ed. by Cécile Reynaud and Herbert Schneider (review)
  2. Darwin F. Scott
  3. pp. 548-556
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  1. Brahms among Friends: Listening, Performance, and the Rhetoric of Allusion by Paul Berry (review)
  2. Reuben Phillips
  3. pp. 556-558
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  1. Nikolay Myaskovsky: The Conscience of Russian Music by Gregor Tassie (review)
  2. Albrecht Gaub
  3. pp. 558-561
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  1. The Music of Carl Philipp Emanuel Bach by David Schulenberg (review)
  2. Randall Goldberg
  3. pp. 561-263
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  1. Arnold Schoenberg’s A Survivor from Warsaw in Postwar Europe by Joy H. Calico (review)
  2. Amy Kazuye Kimura
  3. pp. 563-565
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  1. Mendelssohn, the Organ, and the Music of the Past: Constructing Historical Legacies ed. by Jürgen Thym (review)
  2. John MacInnis
  3. pp. 565-567
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  1. Understanding Boccherini’s Manu -scripts ed. by Rudolf Rasch (review)
  2. John Moran
  3. pp. 567-569
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  1. Brian Ferneyhough by Lois Fitch (review)
  2. Robert D. Terrio
  3. pp. 569-571
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 572-583
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  1. New Periodicals
  2. Nina Mamikunian, Carol Lubkowski, Darwin F. Scott
  3. pp. 584-590
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  1. Boston Symphony Orchestra Archives (review)
  2. Lisa Shiota
  3. pp. 591-594
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  1. e-codices -Virtual Manuscript Library of Switzerland (review)
  2. Pamela E. Pagels
  3. pp. 594-596
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  1. Barbara Hannigan: Concert Documentary by Barbara Hannigan, and: Lulu by Alban Berg (review)
  2. Morgan Rich
  3. pp. 597-598
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  1. Lear by Aribert Reimann, and: King Lear by Aulis Sallinen (review)
  2. John Holland
  3. pp. 598-599
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  1. Yearning for the Presence: The Originating Process of the Opera Wunderzaichen by Uli Aumüller (review)
  2. Kevin Salfen
  3. pp. 599-600
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  1. Fryderyk Chopin by Angelo Bozzolini and Roberto Prosseda (review)
  2. Brian Christopher Thompson
  3. pp. 600-601
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  1. Manuel de Falla: When the Fire Burns & Nights in the Gardens of Spain dir. by Larry Weinstein (review)
  2. Christopher L. Ballengee
  3. pp. 601-602
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  1. Blue Note: A Story of Modern Jazz dir. by Julian Benedikt (review)
  2. Maristella Feustle
  3. p. 602
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  1. Feast of Friends by The Doors (review)
  2. Randall Zwally
  3. pp. 602-603
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  1. Roads Rapidly Changing: In and Out of the Folk Revival, 1961–1965 by Bob Dylan (review)
  2. James M. Doering
  3. pp. 603-604
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  1. Inside Metal: Pioneers of L.A. Hard Rock and Metal (review)
  2. Alexander Carpenter
  3. pp. 604-605
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  1. The Road Goes On Forever-50 Years of Inspiration by Neil Young (review)
  2. John Clark
  3. pp. 605-606
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  1. English Keyboard Music c. 1600–1625 ed. by Alan Brown (review)
  2. Candace Bailey
  3. pp. 607-610
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  1. Le comte Ory: opéra en deux actes by Gioachino Rossini (review)
  2. Kimberly White
  3. pp. 610-615
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  1. Jewish Folk Songs from the Baltics: Selections from the Melngailis Collection ed. by Kevin C. Karnes (review)
  2. Judah M. Cohen
  3. pp. 615-619
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  1. Communications
  2. Keith Cochran
  3. p. 632
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  1. Index to Advertisers
  2. p. 633
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  1. Music Received
  2. David Knapp
  3. pp. 624-631
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