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In this Issue

Table of Contents

Editorial

  1. Stem, Steam, Steams
  2. Sheila Pinkel
  3. p. 2
  4. restricted access

Special Section: Art and Biology

  1. Art, Space and Hyperreality: An Artistic Exploration of Artificiality, Meaning and Boundaries within Astrobiological Practice
  2. Andy Gracie
  3. pp. 6-33
  4. restricted access
  1. Biopaintings Produced by Filamentous Fungi
  2. Patrícia Noronha
  3. pp. 14-35
  4. restricted access

Artists’ Note

  1. Black (W)hole: An Artscience and Education Collaboration
  2. Sara Mast, Jessica Jellison, Christopher O’Leary, Jason Bolte, Cindy Stillwell, Charles Kankelborg, Nicolás Yunes, Joey Shapiro Key, Jessica Raley
  3. pp. 19-34
  4. restricted access

General Articles

  1. Wave of the Future?: Reconsidering the Neuroscientific Turn in Art History
  2. Kate Mondloch
  3. pp. 25-31
  4. restricted access

Color Plates

  1. To Make Sounds inside a “Big Can”: Proposing a Proper Space for Works of Sound Art
  2. Jing Wang
  3. pp. 38-47
  4. restricted access
  1. Generation of Kandinsky Art
  2. Kang Zhang, Jinhui Yu
  3. pp. 48-54
  4. restricted access

Historical Perspective

  1. Early Digital Computer Art at Bell Telephone Laboratories, Incorporated
  2. A. Michael Noll
  3. pp. 55-65
  4. restricted access

Statements

  1. Understanding the Unpredictability of Cancer using Chaos Theory and Modern Art Techniques
  2. Dhruba Deb
  3. pp. 66-67
  4. restricted access
  1. Flight of the Sea Swallow: A Crossreality Telematic Performance
  2. Roger Mills
  3. pp. 68-69
  4. restricted access

Special Section: Practice-Based Research and New Interfaces for Musical Expression

  1. Practice-Based Research and New Interfaces for Musical Expression
  2. Andrew Johnston, Sam Ferguson
  3. p. 71
  4. restricted access
  1. An Annotated Portfolio of Research Through Design in Acoustic Sonification
  2. Stephen Barrass
  3. pp. 72-73
  4. restricted access
  1. Artefact ‘Scripts’ and The Performer-Developer
  2. Benjamin Carey
  3. pp. 74-75
  4. restricted access
  1. Designing New Musical Interfaces as Research: What’s the Problem?
  2. Luke Dahl
  3. pp. 76-77
  4. restricted access
  1. The Situation of Practice-Led Research around NIME, and Two Methodological Suggestions for Improved Communication
  2. Owen Green
  3. pp. 78-79
  4. restricted access
  1. Diversity in NIME Research Practices
  2. Michael Gurevich
  3. pp. 80-81
  4. restricted access
  1. Opportunities for Practice-Based Research in Musical Instrument Design
  2. Andrew Johnston
  3. pp. 82-83
  4. restricted access
  1. Gestural Performance of Electronic Music—A “NIME” Practice as Research
  2. Jan C. Schacher
  3. pp. 84-85
  4. restricted access
  1. In Memoriam: Martha Blassnigg, 08 September 1969–27 September 2015
  2. Michael Punt
  3. pp. 87-88
  4. restricted access

Leonardo Reviews

  1. An Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics by Anthony Squiers (review)
  2. Rob Harle
  3. pp. 88-89
  4. restricted access
  1. After Phrenology: Neural Reuse and the Interactive Brain by Michael L. Anderson (review)
  2. Amy Ione
  3. pp. 89-91
  4. restricted access
  1. Big Data, Little Data, No Data: Scholarship in the Networked World by Christine L. Borgman (review)
  2. Ana Peraica
  3. pp. 91-92
  4. restricted access
  1. The Emergence of Video Processing Tools, Vols. 1 And 2 ed. by Kathy High, Sherry Miller Hocking and Mona Jimenez (review)
  2. Ellen Pearlman
  3. pp. 92-94
  4. restricted access
  1. Delete: A Design History of Computer Vapourware by Paul Atkinson (review)
  2. Hannah Drayson
  3. p. 94
  4. restricted access
  1. Federico Fellini: Making a Film by Federico Fellini (review)
  2. Allan Graubard
  3. pp. 94-95
  4. restricted access
  1. Digital Shift: The Cultural Logic of Punctuation by Jeff Scheible (review)
  2. Jan Baetens
  3. pp. 95-97
  4. restricted access
  1. Cultural Techniques: Grids, Filters, Doors, and other Articulations of the Real by Bernhard Siegert (review)
  2. Giovanna Costantini
  3. pp. 97-99
  4. restricted access
  1. Why Greatness Cannot be Planned: The Myth of the Objective by Kenneth O. Stanley and Joel Lehman (review)
  2. Harold P. de Vladar
  3. pp. 99-100
  4. restricted access
  1. World Projects: Global Information Before World War I by Markus Krajewski (review)
  2. Jan Baetens
  3. pp. 100-102
  4. restricted access
  1. Leonardo Reviews Online
  3. p. 102
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  1. Leonardo Network News
  3. pp. 103-104
  4. restricted access