1. Stem, Steam, Steams
  2. Sheila Pinkel
  3. p. 2
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  1. Art, Space and Hyperreality: An Artistic Exploration of Artificiality, Meaning and Boundaries within Astrobiological Practice
  2. Andy Gracie
  3. pp. 6-33
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  1. Biopaintings Produced by Filamentous Fungi
  2. Patrícia Noronha
  3. pp. 14-35
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  1. Wave of the Future?: Reconsidering the Neuroscientific Turn in Art History
  2. Kate Mondloch
  3. pp. 25-31
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  1. To Make Sounds inside a “Big Can”: Proposing a Proper Space for Works of Sound Art
  2. Jing Wang
  3. pp. 38-47
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  1. Generation of Kandinsky Art
  2. Kang Zhang, Jinhui Yu
  3. pp. 48-54
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  1. Early Digital Computer Art at Bell Telephone Laboratories, Incorporated
  2. A. Michael Noll
  3. pp. 55-65
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  1. Understanding the Unpredictability of Cancer using Chaos Theory and Modern Art Techniques
  2. Dhruba Deb
  3. pp. 66-67
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  1. Flight of the Sea Swallow: A Crossreality Telematic Performance
  2. Roger Mills
  3. pp. 68-69
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  1. Practice-Based Research and New Interfaces for Musical Expression
  2. Andrew Johnston, Sam Ferguson
  3. p. 71
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  1. An Annotated Portfolio of Research Through Design in Acoustic Sonification
  2. Stephen Barrass
  3. pp. 72-73
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  1. Artefact ‘Scripts’ and The Performer-Developer
  2. Benjamin Carey
  3. pp. 74-75
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  1. Designing New Musical Interfaces as Research: What’s the Problem?
  2. Luke Dahl
  3. pp. 76-77
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  1. The Situation of Practice-Led Research around NIME, and Two Methodological Suggestions for Improved Communication
  2. Owen Green
  3. pp. 78-79
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  1. Diversity in NIME Research Practices
  2. Michael Gurevich
  3. pp. 80-81
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  1. Opportunities for Practice-Based Research in Musical Instrument Design
  2. Andrew Johnston
  3. pp. 82-83
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  1. Gestural Performance of Electronic Music—A “NIME” Practice as Research
  2. Jan C. Schacher
  3. pp. 84-85
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  1. In Memoriam: Martha Blassnigg, 08 September 1969–27 September 2015
  2. Michael Punt
  3. pp. 87-88
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  1. After Phrenology: Neural Reuse and the Interactive Brain by Michael L. Anderson (review)
  2. Amy Ione
  3. pp. 89-91
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  1. Big Data, Little Data, No Data: Scholarship in the Networked World by Christine L. Borgman (review)
  2. Ana Peraica
  3. pp. 91-92
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  1. The Emergence of Video Processing Tools, Vols. 1 And 2 ed. by Kathy High, Sherry Miller Hocking and Mona Jimenez (review)
  2. Ellen Pearlman
  3. pp. 92-94
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  1. Delete: A Design History of Computer Vapourware by Paul Atkinson (review)
  2. Hannah Drayson
  3. p. 94
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  1. Federico Fellini: Making a Film by Federico Fellini (review)
  2. Allan Graubard
  3. pp. 94-95
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  1. Digital Shift: The Cultural Logic of Punctuation by Jeff Scheible (review)
  2. Jan Baetens
  3. pp. 95-97
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  1. Cultural Techniques: Grids, Filters, Doors, and other Articulations of the Real by Bernhard Siegert (review)
  2. Giovanna Costantini
  3. pp. 97-99
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  1. Why Greatness Cannot be Planned: The Myth of the Objective by Kenneth O. Stanley and Joel Lehman (review)
  2. Harold P. de Vladar
  3. pp. 99-100
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  1. World Projects: Global Information Before World War I by Markus Krajewski (review)
  2. Jan Baetens
  3. pp. 100-102
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  1. Leonardo Reviews Online
  2. p. 102
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  1. Leonardo Network News
  2. pp. 103-104
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  1. An Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics by Anthony Squiers (review)
  2. Rob Harle
  3. pp. 88-89
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