1. Corporate Classicism and the Metaphysical Style: Affects, Effects, and Contexts of Two Recent Trends in Screen Scoring
  2. Nicholas Reyland
  3. pp. 115-130
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  1. The Voiceless Acousmêtre: Paranormal Activity ’s Digital Surround Sound Demon
  2. Nessa Johnston
  3. pp. 131-144
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  1. Not Another Article on the Author! God and Auteurs in Moving Image Analysis: Last Call for a Long Overdue Paradigm Shift
  2. Emily Caston
  3. pp. 145-161
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  1. Transformation in a New Key: Music in Vids and Vidding
  2. Tisha Turk
  3. pp. 163-176
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  1. ‘And Introducing Elvis Presley’ Industrial Convergence and Transmedia Stardom in the Rock ‘n’ Roll Movie
  2. Landon Palmer
  3. pp. 177-190
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  1. Worlds of Sound: Indie Games, Proceduralism, and the Aesthetics of Emergence
  2. Michael D’Errico
  3. pp. 191-206
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  1. New Tools, New Value: Producing Music after the Individual
  2. Benjamin J. Robertson
  3. pp. 207-218
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  1. Sounding the Gallery: Video and the Rise of Art-Music by Holly Rogers (review)
  2. Stephen Graham
  3. pp. 219-224
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  1. The British Pop Music Film: The Beatles and Beyond by Stephen Glynn (review)
  2. Tim McNelis
  3. pp. 225-230
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  1. The Invisible Art of Film Music: A Comprehensive History by Lawrence E. MacDonald (review)
  2. Annette Davison
  3. pp. 237-238
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  1. Index to Volume 9
  2. pp. 241-242
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  1. Contributors to Issue 9:2
  2. pp. 239-240
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