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Special Issue: Musical Screens: Musical Inventions, Digital Transitions, Cultural Critique
Guest editor: James Tobias
Music, Sound, and the Moving Image is the first international scholarly journal devoted to the study of the interaction between music and sound with the entirety of moving image media – film, television, music video, advertising, computer games, mixed-media installation, digital art, live cinema, et alia.
published by
Liverpool University Pressviewing issue
Volume 9, Issue 2, 2015Table of Contents
pp. 101-114
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View Isolated Tracks and Media Clouds: Surveying Problems and Positions in Music, Sound, and the Moving Image before and after Digital ‘Convergence’
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Isolated Tracks and Media Clouds: Surveying Problems and Positions in Music, Sound, and the Moving Image before and after Digital ‘Convergence’
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pp. 115-130
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View Corporate Classicism and the Metaphysical Style: Affects, Effects, and Contexts of Two Recent Trends in Screen Scoring
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Corporate Classicism and the Metaphysical Style: Affects, Effects, and Contexts of Two Recent Trends in Screen Scoring
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pp. 131-144
pp. 145-161
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View Not Another Article on the Author! God and Auteurs in Moving Image Analysis: Last Call for a Long Overdue Paradigm Shift
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Not Another Article on the Author! God and Auteurs in Moving Image Analysis: Last Call for a Long Overdue Paradigm Shift
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pp. 177-190
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View ‘And Introducing Elvis Presley’ Industrial Convergence and Transmedia Stardom in the Rock ‘n’ Roll Movie
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‘And Introducing Elvis Presley’ Industrial Convergence and Transmedia Stardom in the Rock ‘n’ Roll Movie
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pp. 191-206
pp. 219-224
pp. 225-230
pp. 231-236
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View John Williams’s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style by Emilio Audissino (review)
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John Williams’s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style by Emilio Audissino (review)
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pp. 237-238
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| ISSN | 1753-0776 |
|---|---|
| Print ISSN | 1753-0768 |
| Launched on MUSE | 2016-01-31 |
| Open Access | No |
