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Table of Contents

  1. Crickets, Cicadas
  2. Anna Lena Phillips Bell
  3. pp. 5-8
  4. DOI: https://doi.org/10.1353/ect.2015.0037
  5. restricted access
  1. Five Songs
  3. p. 9
  4. DOI: https://doi.org/10.1353/ect.2015.0067
  5. restricted access
  1. About the cover
  2. Emily Louise Smith
  3. p. 10
  4. DOI: https://doi.org/10.1353/ect.2015.0041
  5. restricted access
  1. A Quiet Lie of Nature Writing
  2. David Gessner
  3. pp. 11-13
  4. DOI: https://doi.org/10.1353/ect.2015.0050
  5. restricted access
  1. The Discarded
  2. Aamina Ahmad
  3. pp. 16-35
  4. DOI: https://doi.org/10.1353/ect.2015.0047
  5. restricted access
  1. C Train Concerto for Two Cellos, with Cavafy, and: Ghazal of the Elegant Skull
  2. Katy Didden
  3. pp. 36-39
  4. DOI: https://doi.org/10.1353/ect.2015.0051
  5. restricted access
  1. The Ear is a Lonely Hunter
  2. Barbara Hurd
  3. pp. 40-49
  4. DOI: https://doi.org/10.1353/ect.2015.0035
  5. restricted access
  1. The Indian Vocabularies
  2. Megan Snyder-Camp
  3. pp. 50-63
  4. DOI: https://doi.org/10.1353/ect.2015.0042
  5. restricted access
  1. Channels, Frequencies, and Sequences
  2. Michael Brooks Cryer
  3. pp. 64-65
  4. DOI: https://doi.org/10.1353/ect.2015.0064
  5. restricted access
  1. Heavy upon My Eye: Reading Carolyn Kizer’s “The Great Blue Heron” As My Mother Is Leaving
  2. Annie Finch
  3. pp. 66-71
  4. DOI: https://doi.org/10.1353/ect.2015.0062
  5. restricted access
  1. The Great Blue Heron
  2. Carolyn Kizer
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/ect.2015.0058
  5. restricted access
  1. Pictures of Music: Photographs from the Collection of Sarah Bryan
  2. Sarah Bryan
  3. pp. 74-84
  4. DOI: https://doi.org/10.1353/ect.2015.0034
  5. restricted access
  1. Sea Star
  2. Ned Balbo
  3. pp. 85-86
  4. DOI: https://doi.org/10.1353/ect.2015.0059
  5. restricted access
  1. A Scatter of Snow
  2. Brian Doyle
  3. pp. 87-90
  4. DOI: https://doi.org/10.1353/ect.2015.0057
  5. restricted access
  1. Satisfaction
  2. David Kirby
  3. pp. 91-92
  4. DOI: https://doi.org/10.1353/ect.2015.0052
  5. restricted access
  1. Mapping the Bottom of the World
  2. Kathryn Miles
  3. pp. 93-103
  4. DOI: https://doi.org/10.1353/ect.2015.0038
  5. restricted access
  1. Siren
  2. Lynne Thompson
  3. pp. 104-105
  4. DOI: https://doi.org/10.1353/ect.2015.0054
  5. restricted access
  1. Sovereignty through Print: New Type, and a New Letterpress-printed Book, in the Cherokee Syllabary
  2. Luzene Hill
  3. pp. 106-111
  4. DOI: https://doi.org/10.1353/ect.2015.0065
  5. restricted access
  1. The Minor Wife’s Lesson
  2. Noh Anothai
  3. p. 112
  4. DOI: https://doi.org/10.1353/ect.2015.0053
  5. restricted access
  1. Dave
  2. Margaret Kimball
  3. pp. 113-118
  4. DOI: https://doi.org/10.1353/ect.2015.0048
  5. restricted access
  1. George’s Harmonica
  2. Sandra McPherson
  3. pp. 119-120
  4. DOI: https://doi.org/10.1353/ect.2015.0033
  5. restricted access
  1. The Voices of Birds: Call Dialects of the Evening Grosbeak
  2. Kendra Sewall, Dane Summers
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/ect.2015.0061
  5. restricted access
  1. Étienne De Fay, and: Old Deaf Joke
  2. John Lee Clark
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/ect.2015.0039
  5. restricted access
  1. On the Revolutions of the Heavenly Spheres
  2. Angie Macri
  3. p. 127
  4. DOI: https://doi.org/10.1353/ect.2015.0063
  5. restricted access
  1. D Is for the Dance of the Hours: a portrait of prebankruptcy Detroit
  2. Aisha Sabatini Sloan
  3. pp. 128-145
  4. DOI: https://doi.org/10.1353/ect.2015.0066
  5. restricted access
  1. Alabama History
  2. Juliana Gray
  3. pp. 146-147
  4. DOI: https://doi.org/10.1353/ect.2015.0049
  5. restricted access
  1. One-track Mind: Writers and Musicians on Their Favorite Songs
  3. p. 148
  4. DOI: https://doi.org/10.1353/ect.2015.0044
  5. restricted access
  1. One Morning in May
  2. Alice Gerrard
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/ect.2015.0068
  5. restricted access
  1. “Green Onions” and a Gran Torino
  2. Shirlette Ammons
  3. pp. 154-155
  4. DOI: https://doi.org/10.1353/ect.2015.0070
  5. restricted access
  1. Sheep May Safely Graze
  2. Ralph Sneeden
  3. pp. 156-158
  4. DOI: https://doi.org/10.1353/ect.2015.0036
  5. restricted access
  1. The Ecology of Falling Whales
  2. Anya Groner
  3. pp. 159-163
  4. DOI: https://doi.org/10.1353/ect.2015.0055
  5. restricted access
  1. Make the Angel
  2. Caitlin Hayes
  3. pp. 164-172
  4. DOI: https://doi.org/10.1353/ect.2015.0060
  5. restricted access
  1. Little Fox Music Box
  2. Molly Sutton Kiefer
  3. p. 173
  4. DOI: https://doi.org/10.1353/ect.2015.0046
  5. restricted access
  1. In the Time of Rocks
  2. Toni Jensen
  3. pp. 174-185
  4. DOI: https://doi.org/10.1353/ect.2015.0040
  5. restricted access
  1. Indiana, While It Lasted, and: Pluck
  2. Corinna McClanahan Schroeder
  3. pp. 186-187
  4. DOI: https://doi.org/10.1353/ect.2015.0056
  5. restricted access
  1. “Po’ Black Sheep:” My Introduction to Black String Bands
  2. Dom Flemons
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/ect.2015.0069
  5. restricted access
  1. Notes on Contributors
  3. pp. 189-192
  4. DOI: https://doi.org/10.1353/ect.2015.0045
  5. restricted access