1. Packaging the Grand Tour: German Women Authors Write Italy, 1791–1874
  2. Karin Baumgartner
  3. pp. 1-27
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  1. Bad Mothers and Good Virgins: Gender, Identity, and Maternity in the Novels of E. Marlitt
  2. Lauren Nossett
  3. pp. 28-47
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  1. Embodied Femmes Fatales: Performing Judith and Salomé on the Modernist German Stage
  2. S. E. Jackson
  3. pp. 48-72
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  1. Anna Freud’s Blank Screen: Home Movies and Psychoanalysis
  2. Sonja Boos
  3. pp. 73-98
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  1. Memoirs and Healing: Howard Reich’s The First and Final Nightmare of Sonia Reich Read through the Lens of a Trauma Victim
  2. Stefanie Hofer
  3. pp. 99-121
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  1. Note to Self?: Postmodern Criminality and (Feminist) Consciousness in Eva Rossmann’s Freudsche Verbrechen
  2. Traci S. O’Brien
  3. pp. 122-146
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  1. Regulating and Transgressing the Borders of the Berlin Republic in Doris Dörrie’s The Hairdresser
  2. Priscilla Layne
  3. pp. 147-173
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  1. Documentary along the Outskirts of Society: An Interview with the Filmmaker Aysun Bademsoy
  2. Julia Ludewig, Tessa Wegener
  3. pp. 174-196
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  1. Women in German Prize Winners (2014)
  2. p. 197
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  1. Acknowledgments
  2. p. vii
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  1. Editors’ Introduction
  2. Elizabeth Ametsbichler, Carrie Smith-Prei
  3. pp. ix-xiv
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  1. Notice to Contributors
  2. p. 198
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