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Table of Contents

  1. Performance Of: On the Postdramatic Mode of Production and Reproducibility
  2. George Pate
  3. pp. 9-27
  4. DOI: https://doi.org/10.1353/dtc.2015.0024
  5. restricted access
  1. Peace in Pieces: A Postmodern Study of Suzan-Lori Parks’s Venus
  2. Mehdi Ghasemi
  3. pp. 29-49
  4. DOI: https://doi.org/10.1353/dtc.2015.0027
  5. restricted access
  1. Make Love, Not War?: The Role of the Chorus in Kokoschka’s “Murderer Hope of Women”
  2. Susan Russell
  3. pp. 51-63
  4. DOI: https://doi.org/10.1353/dtc.2015.0030
  5. restricted access
  1. On Shakespeare’s Playwriting: Opening Strategies
  2. Joel Benabu
  3. pp. 65-75
  4. DOI: https://doi.org/10.1353/dtc.2015.0033
  5. restricted access
  1. The Crescent, the Cross, and the Golden Apple: Staging Icons of Empire in the Opera Il Pomo d’Oro
  2. Elizabeth Coen
  3. pp. 77-92
  4. DOI: https://doi.org/10.1353/dtc.2015.0018
  5. restricted access
  1. Acts of Gaiety: LGBT Performance and the Politics of Pleasure by Sara Warner (review)
  2. Natka Bianchini
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/dtc.2015.0023
  5. restricted access
  1. Theatre and Adaptation: Return, Rewrite, Repeat ed. by Margherita Laera (review)
  2. Amy Brady
  3. pp. 99-101
  4. DOI: https://doi.org/10.1353/dtc.2015.0026
  5. restricted access
  1. Bertolt Brecht: A Literary Life by Stephen Parker (review)
  2. Stacey Connelly
  3. pp. 102-104
  4. DOI: https://doi.org/10.1353/dtc.2015.0029
  5. restricted access
  1. Acts of Manhood: The Performance of Masculinity on the American Stage, 1828-1865 by Karl M. Kippola (review)
  2. Matt DiCintio
  3. pp. 104-106
  4. DOI: https://doi.org/10.1353/dtc.2015.0032
  5. restricted access
  1. The Oxford Handbook of American Drama ed. by Jeffrey H. Richards with Heather S. Nathans (review)
  2. James Fisher
  3. pp. 108-110
  4. DOI: https://doi.org/10.1353/dtc.2015.0019
  5. restricted access
  1. The Great White Way: Race and the Broadway Musical by Warren Hoffman (review)
  2. Darin Kerr
  3. pp. 113-114
  4. DOI: https://doi.org/10.1353/dtc.2015.0025
  5. restricted access
  1. Shakespeare: Staging the World by Jonathon Bate and Dora Thornton (review)
  2. Wes D. Pearce
  3. pp. 115-116
  4. DOI: https://doi.org/10.1353/dtc.2015.0028
  5. restricted access
  1. The Theatre of Tennessee Williams by Brenda Murphy (review)
  2. Matthew Roudané
  3. pp. 117-118
  4. DOI: https://doi.org/10.1353/dtc.2015.0031
  5. restricted access
  1. Editor’s Note
  2. Rebecca Rovit
  3. pp. vi-vii
  4. DOI: https://doi.org/10.1353/dtc.2015.0021
  5. restricted access
  1. Books Received
  2. pp. 119-125
  3. DOI: https://doi.org/10.1353/dtc.2015.0034
  4. restricted access