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Special Issue on Transatlantic Perspectives
Guest Editor: Glenda Goodman
American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies. Article topics have included the lyricism of Charles Ives, Henry Cowell's "sliding tones," Bernstein's Trouble in Tahiti, Henry Brant's "Spatial Music," the reception and transformation of pop icons such as Presley and Sinatra, and the history and analysis of blues, jazz, folk music, and mixed and emerging musical styles.
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University of Illinois Pressviewing issue
Volume 33, Number 3, Fall 2015Table of Contents
pp. 283-306
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View Renaud de Chateaudun’s “Queen of France” and the Royalist Lament in Federal Philadelphia: A Study in Atlantic Musical Politics
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Renaud de Chateaudun’s “Queen of France” and the Royalist Lament in Federal Philadelphia: A Study in Atlantic Musical Politics
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pp. 307-344
pp. 345-374
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View Transatlanticism as Dutch National Spectacle: Universalism and Postpolitics at the North Sea Jazz Festival
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Transatlanticism as Dutch National Spectacle: Universalism and Postpolitics at the North Sea Jazz Festival
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pp. 375-397
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View “He’s Calling His Flock Now”: Black Music and Postcoloniality from Buddy Bolden’s New Orleans to Sefyu’s Paris
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“He’s Calling His Flock Now”: Black Music and Postcoloniality from Buddy Bolden’s New Orleans to Sefyu’s Paris
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pp. 398-400
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View The Black Musician and the White City: Race and Music in Chicago, 1900–1967 by Amy Absher, and: The Pekin: The Rise and Fall of Chicago’s First Black-Owned Theater by Thomas Bauman (review)
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The Black Musician and the White City: Race and Music in Chicago, 1900–1967 by Amy Absher, and: The Pekin: The Rise and Fall of Chicago’s First Black-Owned Theater by Thomas Bauman (review)
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| ISSN | 1945-2349 |
|---|---|
| Print ISSN | 0734-4392 |
| Launched on MUSE | 2016-01-14 |
| Open Access | No |
