1. Renaud de Chateaudun’s “Queen of France” and the Royalist Lament in Federal Philadelphia: A Study in Atlantic Musical Politics
  2. Myron Gray
  3. pp. 283-306
  4. restricted access View | Download |
  1. “Something We Cannot Get in England”: Hearing Anglo-American Difference in America Dances
  2. Christina Baade
  3. pp. 307-344
  4. restricted access View | Download |
  1. Transatlanticism as Dutch National Spectacle: Universalism and Postpolitics at the North Sea Jazz Festival
  2. William Kirk Bares
  3. pp. 345-374
  4. restricted access View | Download |
  1. “He’s Calling His Flock Now”: Black Music and Postcoloniality from Buddy Bolden’s New Orleans to Sefyu’s Paris
  2. J. Griffith Rollefson
  3. pp. 375-397
  4. restricted access View | Download |
  1. The Black Musician and the White City: Race and Music in Chicago, 1900–1967 by Amy Absher, and: The Pekin: The Rise and Fall of Chicago’s First Black-Owned Theater by Thomas Bauman (review)
  2. Monica Hairston O’Connell
  3. pp. 398-400
  4. restricted access View | Download |
  1. Harry Partch: Hobo Composer by S. Andrew Granade (review)
  2. Graham Raulerson
  3. pp. 401-404
  4. restricted access View | Download |
  1. Introduction by the Guest Editor
  2. Glenda Goodman
  3. pp. 281-282
  4. restricted access View | Download |