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Table of Contents

  1. A Letter from the Editors
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/ccr.2015.0075
  5. restricted access
  1. The Swifts of Fez
  2. Ihab Hassan
  3. p. 9
  4. DOI: https://doi.org/10.1353/ccr.2015.0082
  5. restricted access
  1. On Scarification, and: The Block, Romare Bearden, 1972
  2. Vincent Toro
  3. pp. 10-12
  4. DOI: https://doi.org/10.1353/ccr.2015.0089
  5. restricted access
  1. Value Proposition
  2. Carter Smith
  3. p. 13
  4. DOI: https://doi.org/10.1353/ccr.2015.0095
  5. restricted access
  1. Disruptions
  2. Grayson Lee Maxwell
  3. pp. 14-18
  4. DOI: https://doi.org/10.1353/ccr.2015.0101
  5. restricted access
  1. Indulgences
  2. Laura Citino
  3. pp. 19-27
  4. DOI: https://doi.org/10.1353/ccr.2015.0066
  5. restricted access
  1. Pacific Progression: An Oral History
  2. Sierra Jacob
  3. pp. 28-34
  4. DOI: https://doi.org/10.1353/ccr.2015.0072
  5. restricted access
  1. Shiners
  2. Amy Elisabeth Hansen
  3. p. 35
  4. DOI: https://doi.org/10.1353/ccr.2015.0079
  5. restricted access
  1. 20 in 10
  2. Andrew LaRaia
  3. pp. 36-51
  4. DOI: https://doi.org/10.1353/ccr.2015.0086
  5. restricted access
  1. Cipher
  2. Trevor Ketner
  3. p. 52
  4. DOI: https://doi.org/10.1353/ccr.2015.0093
  5. restricted access
  1. Untitled 1, and: Untitled 2, and: Untitled 3, and: Untitled 4
  2. Jesse Ponkamo
  3. pp. 53-56
  4. DOI: https://doi.org/10.1353/ccr.2015.0099
  5. restricted access
  1. Prison Pastoral
  2. B. Batchelor
  3. p. 58
  4. DOI: https://doi.org/10.1353/ccr.2015.0105
  5. restricted access
  1. “Writing Has Made Me Different”: Writing in a Milwaukee Prison
  2. Freesia McKee
  3. pp. 59-69
  4. DOI: https://doi.org/10.1353/ccr.2015.0070
  5. restricted access
  1. Apricots, and: Red Wax-Lips
  2. Stewart Gonzales
  3. pp. 70-71
  4. DOI: https://doi.org/10.1353/ccr.2015.0077
  5. restricted access
  1. XIX 1999: Old School & Black
  2. Randall Horton
  3. pp. 72-77
  4. DOI: https://doi.org/10.1353/ccr.2015.0084
  5. restricted access
  1. The Woman in Cell 47
  2. Catherine La Fleur
  3. pp. 78-81
  4. DOI: https://doi.org/10.1353/ccr.2015.0091
  5. restricted access
  1. Procedure
  2. Jess Smith
  3. p. 82
  4. DOI: https://doi.org/10.1353/ccr.2015.0097
  5. restricted access
  1. The Chaplain’s Guitar
  2. Ace Boggess
  3. p. 83
  4. DOI: https://doi.org/10.1353/ccr.2015.0103
  5. restricted access
  1. In Defence of Madness
  2. D.M. Aderibigbe
  3. p. 84
  4. DOI: https://doi.org/10.1353/ccr.2015.0068
  5. restricted access
  1. Giants’ Faces Held in the Hills
  2. Jacqueline Balderrama
  3. p. 85
  4. DOI: https://doi.org/10.1353/ccr.2015.0074
  5. restricted access
  1. When as a boy
  2. Ian C. Smith
  3. p. 86
  4. DOI: https://doi.org/10.1353/ccr.2015.0081
  5. restricted access
  1. Can you dig it?
  2. Jesus Lopez
  3. pp. 87-88
  4. DOI: https://doi.org/10.1353/ccr.2015.0088
  5. restricted access
  1. Bright Land
  2. Lindsey Dorr-Niro
  3. p. 89
  4. DOI: https://doi.org/10.1353/ccr.2015.0094
  5. restricted access
  1. DNA – Museum Viewer
  2. David Sheskin
  3. p. 90
  4. DOI: https://doi.org/10.1353/ccr.2015.0100
  5. restricted access
  1. Bond, and: Interrelated
  2. Amy Guidry
  3. pp. 91-92
  4. DOI: https://doi.org/10.1353/ccr.2015.0065
  5. restricted access
  1. Autumnal Hum, and: X
  2. Philip Schaefer
  3. pp. 93-94
  4. DOI: https://doi.org/10.1353/ccr.2015.0071
  5. restricted access
  1. Fabulous Prizes, and: [Accordingly, you burn], and: Gone for the Summer
  2. Michael Robins
  3. pp. 95-97
  4. DOI: https://doi.org/10.1353/ccr.2015.0078
  5. restricted access
  1. The Wall
  2. Ben Black
  3. pp. 98-103
  4. DOI: https://doi.org/10.1353/ccr.2015.0085
  5. restricted access
  1. Empire Service - January, and: Glass Lips
  2. Gabrielle Gravestein
  3. pp. 104-105
  4. DOI: https://doi.org/10.1353/ccr.2015.0092
  5. restricted access
  1. The Song of Songs
  2. Gardner Landry
  3. pp. 106-111
  4. DOI: https://doi.org/10.1353/ccr.2015.0098
  5. restricted access
  1. Dear Doppelganger, and: Dorothy Arnold’s Fever Dream, 1909
  2. Britt Ashley
  3. pp. 112-113
  4. DOI: https://doi.org/10.1353/ccr.2015.0104
  5. restricted access
  1. May 1, 2015
  2. Jenna Le
  3. p. 114
  4. DOI: https://doi.org/10.1353/ccr.2015.0069
  5. restricted access
  1. The Mistress
  2. Amanda Hope
  3. p. 115
  4. DOI: https://doi.org/10.1353/ccr.2015.0076
  5. restricted access
  1. Dogmatics
  2. Julie Henson
  3. p. 116
  4. DOI: https://doi.org/10.1353/ccr.2015.0083
  5. restricted access
  1. A Brief History of the Future
  2. Jeffrey Morgan
  3. p. 117
  4. DOI: https://doi.org/10.1353/ccr.2015.0090
  5. restricted access
  1. Lycans Don’t Surf
  2. Robert Kerbeck
  3. pp. 118-130
  4. DOI: https://doi.org/10.1353/ccr.2015.0096
  5. restricted access
  1. Live Intimate Nostalgia (theory of tragedy), and: Best Practices (theory of tragedy)
  2. Toby Altman
  3. pp. 131-132
  4. DOI: https://doi.org/10.1353/ccr.2015.0102
  5. restricted access
  1. The Antigay Retelling of my Life, and: My Mother with Dozens of Gay Sons
  2. Michael Walsh
  3. pp. 133-135
  4. DOI: https://doi.org/10.1353/ccr.2015.0067
  5. restricted access
  1. On The Best American Poetry & 100 Chinese Silences: An Interview With Timothy Yu
  2. Soham Patel
  3. pp. 136-146
  4. DOI: https://doi.org/10.1353/ccr.2015.0073
  5. restricted access
  1. Our Documents: Alejandro Zambra’s My Documents (Trans. Megan McDowell; McSweeny’s 2015)
  2. John McDonough
  3. pp. 147-148
  4. DOI: https://doi.org/10.1353/ccr.2015.0080
  5. restricted access
  1. Contributor Biographies
  3. pp. 149-154
  4. DOI: https://doi.org/10.1353/ccr.2015.0087
  5. restricted access