1. In Memoriam
  3. p. 222
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  1. From the Editor: Remembering Shari Benstock
  2. Laura M. Stevens
  3. pp. 223-230
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  1. “Uncommon Sentiments”: Religious Freedom and the Marriage Plot in Charlotte Lennox’s Henrietta
  2. Alison Conway
  3. pp. 231-248
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  1. “Shallow” Estates and the “Deep” Wild: The Landscapes of Charlotte Smith’s Fiction
  2. Lisa Ottum
  3. pp. 249-272
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  1. Reading the Afterlife of Isabella di Morra’s Poetry
  2. Gabriella Scarlatta Eschrich
  3. pp. 273-304
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  1. “for Karnak 1923 / from London 1942”: Approaching War in H. D.’s The Walls Do Not Fall
  2. Nadine Attewell
  3. pp. 305-331
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  1. Articulating the (Dis)Enchantment of Colonial Modernity: Mei Niang’s Representation of the Predicament of Chinese New Women
  2. Xiaoping Wang
  3. pp. 333-353
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  1. “Phyllis McGinley needs no puff”: Gender and Value in Mid-Century American Poetry
  2. Jo Gill
  3. pp. 355-378
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  1. Bulgarian Women Write the New European Subject: Emilia Dvorianova’s Zemnite Gradini na Bogoroditsa as a Response to Julia Kristeva’s Crisis of the European Subject
  2. Margarita Marinova
  3. pp. 379-401
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  1. New Textual Discoveries and Recovered Passages in Charlotte Perkins Gilman’s Herland
  2. Beth Sutton-Ramspeck
  3. pp. 403-410
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  1. Finding Bliss at McFarlin: The Papers of Eliot Bliss
  2. Michela A. Calderaro
  3. pp. 411-421
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  1. Poetic Sisters: Early Eighteenth-Century Women Poets by Deborah Kennedy (review)
  2. Karen Bloom Gevirtz
  3. pp. 423-425
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  1. Sentimental Memorials: Women and the Novel in Literary History by Melissa Sodeman (review)
  2. Peter DeGabriele
  3. pp. 425-428
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  1. British Women Writers and the Asiatic Society of Bengal, 1785–1835: Re-Orienting Anglo-India by Kathryn S. Freeman (review)
  2. Andrew Rudd
  3. pp. 428-430
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  1. Fashion Victims: Dress at the Court of Louis Xvi and Marie-Antoinette by Kimberly Chrisman-Campbell (review)
  2. Laura Engel
  3. pp. 430-432
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  1. The Romance of the Lyric in Nineteenth-Century Women’s Poetry: Experiments in Form by Lee Christine O’Brien (review)
  2. Patricia Rigg
  3. pp. 432-434
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  1. Second Person Singular: Late Victorian Women Poets and the Bonds of Verse by Emily Harrington (review)
  2. Constance W. Hassett
  3. pp. 434-436
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  1. Between the Novel and the News: The Emergence of American Women’s Writing by Sari Edelstein, and: Making Noise, Making News: Suffrage Print Culture and U. S. Modernism by Mary Chapman (review)
  2. Dorri Beam
  3. pp. 437-440
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  1. Panic Fiction: Women and Antebellum Economic Crisis by Mary Templin (review)
  2. Joseph Fichtelberg
  3. pp. 440-443
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  1. Edna Ferber’s America by Eliza McGraw (review)
  2. Lori Harrison-Kahan
  3. pp. 444-445
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  1. A Dark Rose: Love In Eudora Welty’s Stories and Novels by Sally Wolff (review)
  2. Sarah Gilbreath Ford
  3. pp. 446-447
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  1. The Radical Fiction of Ann Petry by Keith Clark (review)
  2. Hazel Arnett Ervin
  3. pp. 448-449
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  1. Confronting Visuality in Multi-Ethnic Women’s Writing by Angela Laflen (review)
  2. Emily M. Hinnov
  3. pp. 449-452
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  1. Ananda Devi: Feminism, Narration, and Polyphony by Ritu Tyagi (review)
  2. Rohini Bannerjee
  3. pp. 452-453
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  1. The Sarashina Diary: A Woman’s Life in Eleventh-Century Japan by Sugawara no Takasue no Musume (review)
  2. John R. Wallace
  3. pp. 453-455
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  1. Sorrowtoothpaste Mirrorcream by Kim Hyesoon (review)
  2. Bruce Fulton
  3. pp. 456-458
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  1. Books Received
  3. pp. 459-460
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