In this Issue

Table of Contents

Phyllis Klotman (1924–2015): A Memorial Tribute

pp. 7-16
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The Local Film Sensation in Ethiopia: Aesthetic Comparisons with African Cinema and Alternative Experiences

Michael W. Thomas
pp. 17-41
DOI: https://doi.org/10.2979/blackcamera.7.1.17
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Black and Cuba: Liberation, African American Studies, and the Tools of Third Cinema

Robin Hayes
pp. 42-59
DOI: https://doi.org/10.2979/blackcamera.7.1.42
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“I Just Wanted My Figures to Move”: The Filmmaking Practice of Mike Henderson

Michael T. Martin
pp. 60-90
DOI: https://doi.org/10.2979/blackcamera.7.1.60
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Making Art, Making Life: The Paintings of Mike Henderson

Mark Hain, Michael T. Martin
pp. 91-109
DOI: https://doi.org/10.2979/blackcamera.7.1.91
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“The Brown Bag of Miscellany”: Zora Neale Hurston and the Practice of Overexposure

Autumn Womack
pp. 115-133
DOI: https://doi.org/10.2979/blackcamera.7.1.115
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Social Death and Narrative Aporia in 12 Years a Slave

Frank B. Wilderson III
pp. 134-149
DOI: https://doi.org/10.2979/blackcamera.7.1.134
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Tip Toes and River Rolls: Overhearing Enslavement

Shana L. Redmond
pp. 150-161
DOI: https://doi.org/10.2979/blackcamera.7.1.150
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Reinventing Capacity: Black Femininity’s Lyrical Surplus, and the Cinematic Limits of 12 Years a Slave

Rizvana Bradley
pp. 162-178
DOI: https://doi.org/10.2979/blackcamera.7.1.162
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Bastard Allegories: Black British Independent Cinema

David Marriott
pp. 179-198
DOI: https://doi.org/10.2979/blackcamera.7.1.179
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Blackness and Legend

James Edward Ford III
pp. 199-217
DOI: https://doi.org/10.2979/blackcamera.7.1.199
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On the Chronopolitics of Black Social Life; or, How Mister Winfield “Sends Go”

M. Shadee Malaklou
pp. 218-237
DOI: https://doi.org/10.2979/blackcamera.7.1.218
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FESPACO 2015: After the Transition, What Next?

Olivier Barlet, Melissa Thackway
pp. 238-250
DOI: https://doi.org/10.2979/blackcamera.7.1.238
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Teaching African Women in Cinema, Part One

Beti Ellerson
pp. 251-261
DOI: https://doi.org/10.2979/blackcamera.7.2.14
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Statement by African Women Professionals of Cinema, Television and Video, presented at FEPACI (Fédération panafricaine des cinéastes), Ouagadougou, Burkina Faso, 1991

pp. 262-264
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Richard E. Norman and Race Filmmaking by Barbara Tepa Lupack (review)

Paul Hansom
pp. 265-267
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The Black Irish Onscreen: Representing Black and Mixed-Race Identities on Irish Film and Television by Zélie Asava (review)

Isabelle Le Corff
pp. 267-270
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The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema by Gerald Sim (review)

Geoffrey Luurs
pp. 270-272
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The Baraka Film Archive: The Lost, Unmade, and Unseen Film Work of LeRoi Jones/Amiri Baraka

Whitney Strub
pp. 273-287
DOI: https://doi.org/10.2979/blackcamera.7.1.273
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Archival News

pp. 288-292
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Professional Notes and Research Sources

pp. 293-294
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Editor’s Notes

pp. 1-2
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Introduction

James Edward Ford III
pp. 110-114
DOI: https://doi.org/10.2979/blackcamera.7.1.110
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